Releases from artist / Veröffentlichungen von : UUN

on their seventh long player the breaks - their second for joyful noise recordings - suuns are lost in limbo. comes on transparent red vinyl.

uun on mord.

recorded and pressed in detroit

uun on mord.

the new album from canadian band suuns on limited bright blue vinyl lp.

the new album from canadian band suuns on black vinyl lp.

second album

incl smbd remix, great hous tracks. tip!

4 propper techno tracks

ltd 7 inch

2 strong house tunes... thank you for this quality music - repress 2019

two long-time friends juho kusti (deep space helsinki, parabel) and ville vähäsaari (rezonans) bring you their brand new label, no future but what we make. the label’s first release features two broken beat burners on the a-side from detroit-based uun (mord, ego death) coupled with a more straightforward remix from acid mammoths boston 168 (bpitch control, odd even, enemy records) on the b-side. make a difference. get involved. there’s no future but what we make.

ayuune sule brings the soul into kologo power. in kumasi, the second city of ghana and capitol of the ashanti region, ayuune sule is the main kologo star. the most famous kologo player these days in the whole of ghana and abroad is king ayisoba. together with king ayisoba, guy one, atongo zimba and sambo, he represents the generation that broke kologo music outside of the north east region of ghana. in europe we know ayuune sule as a member of king ayisoba’s band and as a solo artist who often opens up for his shows.

the ecstatic sounds of a fruit machine spewing out winnings or a computer game bleeping a player upwards to the next level chirp and bleep all over ‘true beauty (and other things), a jubilant and chaotic tape from philadelphia’s nah aka michul kuun. his first release under new alias michul kuun, the seven track album lurches between church bells, angsty video game chimes and battered drums (kunn pummelled drums in punk band 1994! in the past). there are flashes of mutated house and techno (“threes, threes, threes” and “written house”) as panicky, stammery rhythm structures are built up, battered down then kicked around. “taking station” seems like it’s going to be the most mellow, almost melodic jam, then rounds off with a solid minute of air horn, before exiting on what sounds like a motorbike through a swooshing traffic for jittery finisher, “follow thruu”. - claire sawers, for wire magazine

uun returns to his imprint ego death with an ep that showcases his progression in both sound design and atmosphere. the a side kicks things off with on the concept of irony, a broken beat assault which serves as a mission statement with its scattered snares and vocal samples. the tangled web continues this mood but with a more intense structure, heavy on hypnotic synths that weave in and out of the tracks percussive framework. where as the a side is the logical extension of the first three ego death releases, the b side serves to showcase a deeper atmosphere while maintaining uuns preference for dense arrangements. the other features a haunting ethereal pad that floats above a broken kick pattern and a bed of clicks, pops, and field recordings. the closing track, absurd existence, forges all the elements of the artist s sound into perhaps his most melodic work to date. it is therefore senseless to think of complaining since nothing foreign has decided what we feel, what we live, or what we are. jean-paul sartre

coming off of ep releases on dynamic reflection and 100% pure, uun returns to his label ego death for it’s third release, and it’s first on vinyl. the title track references carl sagan’s classic work of skepticism demon haunted world. it features a percussive attack that builds into a swirling tornado of distorted synths and hihats. the scarlet martyr takes a different approach that is heavy on pads and atmospheric elements all over a bed of field recordings. the b side starts with nx1’s remix of the title track. this interpretation chops up the synth and percussive elements into a broken beat onslaught that builds into the track being deconstructed piece by piece. the final track dominions continues in the broken beat direction with a more straightforward dancefloor approach

new record from falstaff.

*plenty headroom* ep is a twisted techno release from kahuun on scandinavian label ploink with remixes from anonymous norwegian act vakum and label boss thomas urv.

another crazed machine release from the take the elevator camp...big things ahead for this label. recommended!

techno mit von vielen seiten betrachtet!

the new album from canadian band suuns on cd.

limited amount of part 17 of the herdersmat series available now. this vinyl was previously available only by purchasing the full mordh003. generic black sleeve.

mords herdersmat series continues - part 41-44 on 4x12 inch vinyl.

we are thrilled to welcome to a truly special moment for us. as we celebrate the third anniversary of our record label, we proudly present to you our very first vinyl release, which represents a significant milestone in our journey. pressing on grey marbled 160 gram vinyl in printed sleeve.

dynamic reflection presents the fifth and final instalment of its time crystals series. delivered on red & blue coloured vinyl.

limited amount of part 29 of the herdersmat series available now. this vinyl was previously available only by purchasing the full mordbox003. generic black sleeve.

third mordbox in the herdersmat series. part 23-29, includes 7 vinyls with 33 tracks by 33 artists, all packed in a collectors box.

the herdersmat series continues. 4x12 inch vinyl in printed slipcase.