For his Miasmah debut, FNS treats us to a spectacular excursion into the world of psych-folk instrumentals, with a collection of semi-improvised multi-layered pieces, primarily for acoustic and electric guitar and voice. These lo-fi home recordings capture a sense of astral travel, though explorations into drone, raga-styled melodies and layers of guitar feedback. The immediate allure of FNS’s spectral sound is in the understated nature of the performances – it recalls the magnetic interplay between Tom & Christina Carter’s work in Charalambides, the playful free noise of Sunburned Hand Of The Man, the ethereal blues of Loren Connors, and a variety of subtle but undeniable influences from the 70’s progressive UK folk scene.

FNS’s sound is a sorrowful sound – a death-fuzz, a hazy wailing wall of cavernous guitars, doom-freakout and swirling psychedelia, melded into one then drowned in echo and haze. FNS fires forth cosmic transmissions for the mind and spirit…the result, is nothing short of an aural treat. [mialp012_info from miasmah]