2012 Witnessed The Birth Of A Shadowy Transatlantic Musical Conspiracy Known As Bohemian Groove. Taking Their Inspiration From The Infamous Bohemian Club, A Conclave Of Powerful Men Who Met Annually At The Bohemian Grove Campground In California To Plan World-changing Developments Including The Manhattan Project, This Musical Axis Of Evil Spans Toronto And Helsinki, With Their Base Of Operations In Berlin.
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In between heated rounds of ping pong on the outdoor table behind their studio, the three puppetmasters of the Groove make machine-based body music connecting the dots between house, techno, and something altogether uncategorizable.
Having first announced their intentions via a remix for DJ Druzz (known to most as The Rapture’s Gabriel Andruzzi), Bohemian Groove are unleashing their first standalone dance manifesto in the form of the “High Jinks” / “Low Jinks” EP.
“High Jinks” is a moody, atmospheric groover featuring a loopy punkfunk bassline and polyrhythmic percussion. Remixes come courtesy of Versatile Records honcho and Parisian house legend Gilb’r and Portuguese duo Photonz.
“Low Jinks” is a vertiginous miasma of clanging industrial percussion and squealing synthesizers. Meant Records boss Remain turns in a digital-only remix stripping back the chaos to focus on the deeply submerged groove and funk of the original.