Das komplexe Geflecht aus Blut, Politik, Emotionen und natürlich der menschlichen Erfahrung wird in diesem Werk von Christoph de Babalon auf komplexe und nachdenkliche Weise gewebt.
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Ach, komm, ein Mensch kann nicht immer gut sein... This sentiment rings amusingly true for us. How did we find ourselves in this post-truth era, and why does such a term actually exist? In a world where distinctions between right and wrong blur, does the clarity of a black-and-white delineation persist? Are we progressing, or are we regressing to a state reminiscent of the past?
Weaving together the complex tapestry of gore, politics, emotions, and, of course, the human experience in this work is done intricately and reflectively by the hands of Christoph de Babalon.