vol 14 with more spacin dub techno , huge

dys functional electronic music is a compilation release from repitch recordings, celebrating the label’s first five years. its ambivalent title aims to represent the sonic behaviour of its content, often deviating from norms or distancing itself from common club functionalism. for this release, the 3 repitch masterminds ascion, d. carbone and shapednoise are joined by a selection of the artists who contributed shaping the repitch sound throughout the years, along with guests that inspired them in this adventure. during the past 5 years the main focus of the label was to set up a platform for experimentations across the dancefloor canon, establishing a standout musical identity. a spirit that resonates within each artist’s personal approach: from ascion’s dark breakbeats to the exaltics and and’s acid frontalism, shapednoise’s brooding noise, sote’s fractured rave, d. carbone and gaja’s intrusions into melody, pinch and the zenker brothers’ dub-infused atmospherics, skudge’s love of gloom and nuel’s idm-ish minimalism

the new label serie ride the wave, a compilation of some of the best fresh wave music coming from all over the world... presented on 2x12” ep format in deluxe double gated sleeve and produced in a one-off truly limited edition of 300 copies lacquered pressed on 180 gram high quality solid orange vinyl. all tracks have been specially remastered for long cut vinyl by eric van wonterghem.

quanta records’ third release, correspondances, is a mini lp by aeon that combines experimental techno, ambient and musique concrète elements. the tracks of the album communicate through similar sounds, noises and rhythmic patterns, but while atmospheres diverge, there is a constant exchange from cold and industrial to solar and melodious so as to form a complex and balanced ensemble.
aeon’s has placed randomness at the centre of his creative process. computing and random programming have allowed the artist to explore new structures and to no longer simply consider a glitch as an error, but rather as a primal source of novel sound.

perseus trax returns to wax with this first outing on new imprint secret gang. three scorching hot electro/acid excursions. bustling percussion and squelching synths meet head on, resulting in pure dance floor destruction.

supply records proudly presents waynette’s stunning debut album, “eraser on the dancefloor”. a heidelberg native living in berlin for the past few years, the dj, producer and vocalist has landed with her first ever release of any kind. supply could not be more honored to present her fresh, raw and distinctly personal take on underground dance music to the world. these seven tracks effortlessly span a range of techno, house and electro moods, interspersed with waynette’s unique vocals. from meditative rhythms to jagged electronics, a bold new voice has arrived, a multifaceted and hugely creative artist, and one to keep your eyes on for years to come.
the album was long in development, assembled from a wealth of productions, with new intriguing ones constantly arriving at the label’s doorstep. with a cache of material to carefully pour over, the final track list was decided upon an at a in person meeting in berlin between label heads and artist, the perfect musical harmony achieved. a landmark release for a label mostly focused on twelve inches so far, this is supply’s second ever lp, after rene&#769,,, audiard’s well-received “pechorin” lp in 2012 . “eraser on the dancefloor” is a fearless album, and it arrives in striking artwork by mikala hyldig dal, who also directed the video for “gentle.”

alleviated veteran ben jenkins launches his new vinyl label partial magic with pittsburgh s chase smith. chase turns in four cuts of percolating-hissing drum machines and squirting- gibbering oscillators. the whole quivering ensemble chugs with an electro snap and a steady dance mania clip until the cool- down of silky and sensuous pads on the closing track.

alles lief wie von allein: pole macht mit schnitzler halbe-halbe.
die vinyl-lp erscheint inklusive album-cd.

nach unzähligen releases auf labels wie sub pop, troubleman unlimited oder jack whites third man und zahlreichen kollabos mit acts wie sonic youth, anthony braxton, andrew w.k., hieroglyphic being oder morton subotnick, veröffentlicht das detroiter post-industrial/noise-trio wolf eyes sein neues album undertow auf dem eigenen imprint namens lower floor music. auf den fünf neuen, teils überlangen tracks graben sie weiter in den untiefen ihrer ureigenen, durch electronica und free jazz infizierten noise-welt. die lp erscheint mit download-code und doppelseitig bedrucktem a2 poster.

the fifth in a series of anonymous 12inches on grey area - the label collaboration between auxiliary and horo. experiments in polyrhythm supported by samuel kerridge, asc, ancestral voices, oake, sam kdc, ena, presha and more.

amsterdam based artist and creative technologist andeh lang is back on will & ink. after debuting on this label in august 2016 with an uncredited black label, he now serves up three more tracks that show off his interest in shaping and sculpting sounds for the main imprint. all these tracks were created with his own custom made software and self-programmed audio algorithms. three experimental techno excursions that go by the name of susskind showcase a wide variety of deserted techno landscaping by a creative mastermind.

next 3 track vinyl on pfand

black repress !! vinyl only release
starting in 1990 recording for sheffield label ozone records under the name of panic with a release called voices of energy, which was then licensed to buzz in belgium, buzz 001, buzz then went on to release classics by carl craig and derrick may. he set up his own label in the same year solid groove records. the label had 30 vinyl releases over thirteen years and tracks were licensed by derrick may, terry francis, pete tong, adam x, and carl cox.as well as this he ran another four other label s, textures, dark, dot, and cheap knob gags.

deep pure techno-sounds

limited repress! amazing trippy groover on the mysterious howl label by a well known secret producer collectiv.

6 tracks on 2x 12 inch

petroxy bringing you the new sound on the first release of the brand new imprint brosh. minimal techno sounds like it should be.

vision collector records hit number five in their catalogue with a debut record on the label from fellow dubliner breen. after becoming involved in the ever changing vision collector parties and setting up the newly formed internet station dublin digital radio (ddr), breen delivers a 12” spanning four tracks.

wata igarashi’s ciphers ep (mdg006) out in march 2016 is getting reworked. the artist involved were carefully chosen together with wata igarashi after some friendly exchanges during his last visit in europe. we want to deeply thank nuel, yves de mey, orphx, shawn o’sullivan, r²&#960,,,,,, and ruff cherry for taking part to this project and giving their amazing contribute! the black vinyl comes with full artwork cover.

this record definitely takes a bit more of a layered approach - natan h offers us yet another unique, immersive, and charismatic release for acid camp records. acid camp records is rolling through again, this time with an artist known for his atmospheric and cosmic-oriented tracks, natan h. conveying inspiration for this record, just a little nod to extrasensory experiences and perception, is undoubtedly fitting for acrs second release. the opening track, atmosphere, breaks away from 4/4 timing with o-kilter drums that traverse into a heavier beat, pushing the track forward just to bring it right back at the end. followed up with a remix from techno serialist, conforce. through his use of a low pass filter, polyrhythms, and fervor conforce delivers a track nothing short of the prototype for driving techno. remote view pt. i turns out an ambient break and taking the listener to a space of the ethereal and planetary. the ep closes with remote view pt. ii, which incorperates layers of hi-hats, delayed strings, and synths that alternate throughout the arrangement in syncopation.

too many possibilities can also mean a tyranny of the what if.... in this light, celebrating less becomes vital. and thats exactly what swedish producer and studio barnhus affiliate simon haydo does in redux. all of the sounds in the albums nine tracks come from just one synth: the korg ms20. as simon puts it, the idea was to maximize the use of less, basically. less gear, less effects, less input from other people , less everything.using only between 2 and 6 channels for every track, the result is a stripped but surprisingly rich sound, that delineates spatial techno vignettes coated with the unmistakable charac- ter of the ms20 filters. even more interestingly, this restraint is not only applied gear-wise, but also from an emotional point of view. instead of involving my own feelings, i let the voice of the ms20 take care of it, says simon. all this makes redux an expression of techno in its purest form. after all, its a kind of music that has always gravitated around simplicity, austerity and, of course, the believe that the machines have their own soul.

written & produced by roboknob. mixed by stefan goldmann. mastered by rashad becker. info: weve said it before: technos vanguard can be found in the east right now. sofias quirky techno underground is densifying. evolving around the diviat slon parties (residents: stefak & stefan goldmann), the beton nights, the indoors offspins of artmospheric festival and unannounced appearances of kink under his cyrillic guise, raw and rave-infused techno is increasingly defining the citys sound of the small hours. roboknob are part of this movement, and this is their debut ep. a live hardware duo, yasen and stanislav drop rugged, noisy machine jams around the bulgarian capital and have been regulars at artmospheric. the ep’s tracks have been distilled from their live repertoire and mixed by stefan goldmann into sharply defined form with added bite.dexydi is greek for acid - the corrosive liquid, not the music. accordingly, its heavy-handed single-note bass attack will cut through anything.spellbind is more bouncy with frantic upward movements, distorted percussive fallout and a seasick bass foundation. liulka handles two layers of time rubbing off of each other: quirky and pushing high in the sky, against the bass drum mechanics down low. a suitable acoustic symbol for sofias state of techno.

zwischen ausgeschlossen-sein und selbst-ausschluss: artefakte praktizierter verweigerungshaltung.

steinzeit concludes the mrt grey series. the duo is comprised of hansruedi schnuriger, one half of echo 106, and bjorn magnusson. they recorded these three tracks in a weekend s time inside magnusson studio, which is an abandoned factory in the middle of nowhere, in switzerland, using bare concrete walls as an echo chamber. the pace is slow, atmosphere is bleak, tone is melancholic, drums are evil. it reflects how switzerland feels in winter. lonely, and this is true, like the name of the tracks.

apparel music return with the introduction of a brand new sub label - apparel tronic. the intention for this new division of sound is to shift focus towards uk-rooted beats, nu-jazz, downtempo and jungle - a collection of styles the label like to term bliss-beat. this treasured and futile basis of influence gives rise to giuseppe dalessandro a.k.a kisk and ludovico schilling schillings new project which they inaugurate with the hella lp from schilling himself: a collection ukindebted dance tracks that meld influences from jungle, breaks and hip hop. originally born in milan - schilling relies on a process he likes to describe as contamination of sound which entails the layering of field recordings and the sounds of his home environment with those of synths, real instruments and samples. this approach brands a clear stamp on his productions and enables him to create a truly singular strand of dance music and its this that glues together the 9 disparate tracks of hella. moving from the cascading breaks of the lps introduction anarcoide to the woozy and textural black lighter - the album begins to build a spectral mood as it progresses. tracks such as flesh is weak and madting draw influence from the golden-era of bristols trip-hop while tracks such as snooker club and viejos delve into more caliginous, idm territory. the result is a rich and varied collection that demonstrates apparel musics unwavering ability to continue to keep listeners guessing.

vol 4 of legendary electro series

joining our label for the 4th release are dan andrei and kozo, under their collaboration named ak41, a fructuous project that offers three highly complex tracks.
on the a side you can find “icebreaker” solely, an eccentric sound with a steady bassline, percussive kicks, tripping shakers and a thoughtful, mysterious melody that touches all the frequencies of your body. turning to the b side we find “swingenious”, a groovier interpretation produced by a combination of spacey feelings and sophisticated instruments that will move every bone on the dancefloor. closing the ep is “in memoriam”, a melancholic version that is not short of an aggressive bassline, ambiguous vocals and deep introspects, all aligned to disconnect you from the reality of routine.

as the world collapses, dragging its unwilling inhabitants into insanity, a few things, fortunately, remain true. the man who s contributed to the development of the jak sound on behalf of the nation community from lake michigan to the dutch west coast, where he became well known for several eps released on creme organization records, is back. after two full-length albums, dozens of eps and action in the 2am/fm project, dmc has gained well-earned respect as an underground artist. we are very pleased to bring this little return to the jak beat style.

limited edition of 200 copies.
matthias puech composes electronic music, designs musical instruments and exlores the nature of computing and mathematics in a single artistic gesture. his music, a collection of contemplative stills of imaginary landscapes, is in major part composed on modular synthesizers and features unique experimental devices that matthias creates. these delicate sonic landscapes draw their inspiration from the physically of natural and animal sounds and form the beauty of mathematical concepts, being a research scientist by day.

this is a vinyl reissue of the first release of stephen bishop’s basic house moniker, originally release as a tape in 2012. through his music, and his label opal tapes, bishop has been one of the most significant definers of leftfield dance music over the past years. his background in diy punk and noise is easily identified in his approach to both sound production, general aesthetics, and overall attitude.
“i’m not a heaven man” is characterized by a poetic and tape hissed melancholy, sensibly combined with a lo-fi experimental character rendering it a deeply personal take on contemporary electronic music. slow pulsations of sequenced drones combined with noise with strong emphasis on atmosphere make “i’m not a heaven man” an exquisitve piece of ambient sound design.
limited to 300 copies on white double vinyl with download code included.

new year new r zone. this time the revivalist rave crew, brutal techno lovers and broken beat brothers-whoever they may be-serve up three more tantalising tracks that are designed simply for high dance floor impact. greatest enemy is first and lives in a deep space world where jungliest percussion and pummelling drums are offset with swirling pads and warm synths. it s an emotional roller coaster that gets followed up by spike, a manic and prickly speaker blaster with wild melodies and rave stylings all barely continued by punch and off beat kick drums. last of all, faramore agent is in your face with its frazzled bass, skittish percussion and vocal stabs all panning about left and right. one again this is brilliantly all over the place and impossibly visceral music designed to devastate all who hear it

the fourth participant in the gost instrument series is ivan erofeev hailing from siberia’s omsk. ivan was producing and releasing music as aleph for the last five years and this is the first ever record issued under his birth name. the author’s distinctive, monotonus yet liquid sound emerges in these two tracks - deep “h island” and polyrhythmic “sahiba”. framed with field recordings made by the man himself, this two-tracker is a hypnotic and atmospheric journey into ivan’s very own creative universe.

brand new transatlantyk release contains elusive synth works of sasha zakrevska aka poly chain. she likes to call herself a ukrainian ambient chavette and the title of her debut album is a tongue-in-cheek spin on eno s classic. music for candy shops is much more sticky and syrupy than its famous predecessor though. in every track on this record poly chain s rich and warm synth textures are glazed with another layer of radioactive sweeting. from atonal melodies on top to occasional spicing in form of odd reverbs, delays and drum sounds - it s all there. let me tell you straight up: this candy shop serves some weird sort of sweets, inducing hallucinations, anxious feelings of omniscience and transcendency. use with caution! available as a 200 copies only vinyl lp

milos returns with receptive visions after his limited hand stamped msr & milos recordings projects. a label focused on dancefloor techno, kicking off with the euphoric yet raw reconery flight with razor sharp hats and massive drops pave the way for guaranteed dancefloor response, flip for away days heads down with a distinct snarled ragged intensity and thick pulsating grooves… one to watch!

rekids return with an ethereal release from burgeoning producer patrick conway featuring hessle audio’s pangaea on remix duties. -records inspired by transcendental mediation, uk rave, sheffield bleep/warp records, carl craig circa early 90 s, silent servant, shabba ranks and joss sticks smoking out the studio…- – patrick conway syncopated percussion introduces ‘sandy lane’ whilst ebbing pads and metallic nuances add to an overall shadowy aesthetic. ‘orbit’ then sees intricate breaks, ghostly synths and murky melodies join piercing vocal cries before pangaea delivers a cacophonous remix combining crunchy drums with effervescent notes and a throbbing low-end.

vivod welcomes slither-screen stars lewis j. force and william bendix to the fold with added shine from parasols and lucky koi. features tracks of mechanical, detroit-style disco-techno and drexciyan-wave with ebm punch from parasols and old school muscle from lucky koi plus a viscous acid tribute to kent s riviera club culture.

embodying a pure devotion to syncopation and dub, and carrying the torch for innovation, collaboration, and bass here in portland, gulls kicks off our new dj music label common language. we sought a record that could bravely blend techno, funk, dub, cumbia, and sound collage into one set of moves. only gulls could fulfill this mission, with bass as the glue in the collage. -eastwood bounce- and -system pools (shock version)- hold down the dub continuum, where -in these times- and -up clean sound- offer syncopated, globally minded un-techno, again run through the gulls dub blender. an endlessly chewy, layered sound is his signature, each track a showcase for contrast between glassy or globular timbres. as one of his few official gulls releases outside of his own label, we are proud to bring this definitive and complete set of tunes in a -something for everyone- 4-song ep format.

a reflection of discomfort. uncertain. unyielding. objectively gritty. a snapshot of two years alone in an unfamiliar city. electric chaos assembled by an uninspired “youth”.
the vinyl release includes a download code.

co-founder of the galactic shelf records and resident dj for modu:lar - nerram is a liverpool-based artist that’s been making music and djing for over six years. having spent this time carefully refining his productions and growing a unique record collection, he’s built up an edgy style based around original, rare house music and punchy minimal. nerram is an exciting uk artist embarking on the next stage of his career.
nerram launches the galactic shelf with a debut 3-track ep including a remix by voigtmann. combining driving, futuristic sounds with deep grooves and breaks - this trio of cosmic cuts come dancefloor-ready and represent the artist’s diverse sound encapsulated. enigmatic and micron on the a side are an odyssey through big basslines and twisting synths, followed up by the experimental, spacey round and round on b1. completing the release is an altogether different interpretation of the first b side track by voigtmann - a grooving, stripped-back outro by this excellent producer.

following their massive debut “girl”, danish duo cirkular are at it again with a follow-up release featuring more of that complex-but-danceable electronic music. the “huff / am plingest” release owes homage to the electronic music of the 90s, with hints of breakbeat, underworld style 4/4, dub-house and early autechre style idm.
the remix side features punkrocker-gone-techno antonio gram (of reptile youth fame), longside one of danish technos godfathers, broxgaard (formerly known as patrcik bateman of tictactoe records).

peacefrog präsentiert einen neuen namen in der britischen electronica-szene: mined aka kofi holmes attivor, londoner sohn einer ghanaischen familie, wuchs mit den soul/r&b platten seiner eltern auf und ließ sich von brian eno, spooky black und den foals inspirieren. mined produziert einen vokalen, eskapistischen electronic-pop voller ländlicher schönheit, der irgendwo zwischen den kosmen von james blake, caribou und boards of canada seine bahnen zieht.

prevnext nathan fake will release his fourth album providence - his most personal and profoundly emotional work to date - via ninja tune. crafted in the wake of a crippling two year spell of writer’s block during which he was unable to compose any music at all, the esteemed british producer describes the record “as a massive step up both in my career and in my life in general… it felt like i’d come alive again”.

both roberto and his own fossil archive label continue to go from strength to strength. roberto has consistently delivered at dj bookings that have seen him return time and again to the likes of tresor and fabric, while the label has fast become a favourite in dj boxes and amongst techno heads. the label closed 2016 on a high with its first set of remixes from two techno legends, sterac and rolando. and now for the first release of 2017 roberto is thrilled to draft in the refined skills of fachwerk’s roman lindau. roberto has of course released on fachwerk in the past and been featured on the bill on more than one occasion when the berlin label have taken over berghain, so roman is a fitting and very welcome addition to his uk imprint. teaming up for ‘nerinea trinodosa’ on the a-side, roman and roberto’s production styles complement one another perfectly on this solid peak-time offering, bringing a depth and power that continues the fossil archive dedication to raw and unfaltering beats. roberto then goes it alone for ‘triage’ on the b-side, a track which was already featured on alan fitzpatrick’s recent fabric mix cd. with its tough tribal sound and deep bass, there’s some serious funk in the groove, completing another essential release from the fossil archive camp.

ersatz olfolks signs new singular, cat number 10 with strobes & smoke ep. singular records comes back this february with mysterious french producer ersatz olfolks. 2017 is going to be a busy year for singular rec and it starts with a full analogue trip. tough at first with the driving “srobes & smoke” till the deepness of “alkaest”. ersatz olfolks makes no compromise and deliver a superb combination of force and depth throughout these four cuts from live sessions. the all thing got a 90’s sound treatment by master scan x. enjoy!

stay straight to the line. this ep is dedicated to gerard, king of the kings, the man won the 2017 razzle battle.

black truffle presents people pleaser, the new lp from nantes-based drummer and percussionist will guthrie. initially rising to prominence in australia as a drummer in the fields of jazz and improvised music, guthrie later turned increasingly toward electronics and amplified percussion, developing an idiosyncratic style of electro-acoustic performance characterized by shimmering metallic textures, rapid-fire textural transformations and aggressively high volume. recent years have seen a return to the drum kit in both solo and collaborative work, in performances where guthrie uses duration and endurance to push at the limits of his formidable technical abilities as a player in the free jazz tradition, working variations on short rhythmic units into an endless flow of non-metered pulse.

we are happy to have pan/tone for our fourth pfand release. sheldon thompson, aka sid le rock, serves up three melodic pieces which catapult you into a deep dreamy trip, complete with floating hypnotic grooves and melodies. rhodes avenue comes with tropical bells, 70 s-style rhodes piano with 80 s-synth flavour. animal parade convinces with cinematic soundscapes and a memorable hymn which brings us to another level. inyourendo surprises with electronic soundscapes which fit excellently for intros, interludes or ending of a set. and finally, the pfand team, hali and yapacc as -the cabin- adds a rework of animal parade with a percussive techno groove supported by a groovy bassline with deep drones that move directly into your brain

classy nordic house tracks on the reliable romb label rooted in the best tradition of our house music culture!

techno from a new argentine producer. 4 cuts of grooves and moods for the heads and deeper dance floors. the 4th cut releasing ourselves shows luis luchetti to be willing to push the boundaries of a dance track in ways few producers could or would. when your smile reaches me is emotive techno of the highest order.

rawax welcomes carsten schulz aka quadratschulz to the family!

vinyl only - 180gr pressing
catren hits the shelves with its second release, a 3-tracker slow cooked by emi nescu.
we jump on this house & techno bandwagon with maimultmodelat, a 12 minute piece stripped down to its hihat backbone, with the focus points centered here & there on the wobbly bassline and the sharp cut kicks. as for the side b, a more textured journey awaits us: soustra, encapsulating its warmth deep into the fading melodic strips and the fast paced walkabout, a breaks sequence that could easily hyopnotize the crowd with its electro reminiscences hidden under the percussions layer.
catren 002 exposes us to 3 apparently different tracks yet with one strong thing in common: emi nescu’s groove led energy

2017 marks 10 years of lmd and we are very excited to welcome one of chicago s finest and one of electronic music s most singular visionary artists to the family: jamal moss aka hieroglyphic being! having recently dropped a exceptional album for ninja tune and a stunning 12- for rush hour, jamal now teams up with -the truth theory trio- to deliver the -materialized psychism of the bottomless void- ep. -long night of iboga- opens the ep and sees jamal & the trio create a dj focused cut with unpredictable drum patterns, abstract melodies and psychedelic horns. a killer weapon for any seasoned selector. - mystery of the changelings - is a mesmerizing 11 minute odyssey through magical harps, melancholic synths, and a piano riff that will stay with you long after listening. truly music for the mind, body & soul. praise be to the sun god!

always keep moving, never stand still a motto that dapayk & padberg have been following consistently for more than ten years in every respect. for nearly three decades sought-after musician, producer and machine enthusiast niklas worgt has researched diverse club sound effects with countless projects, while singer eva padberg is an internationally renowned high fashion model. since 2003 they have been traveling and performing together as dapayk & padberg. they are passionate sound nomads who capture acoustic impressions of their exciting journey. each album is a sound logbook, which captures memories in the form of beats, tunes and skits. on sink this ship, released a few months ago, the berlin-based duo provided a first glimpse of what you can expect from dapayk & padberg in 2017, with their new album harbour. a harbour, where both stop off for the moment, because their next trip is already planned: after the release of harbour, dapayk & padberg tour europe and row.

>who is who< is the title of a number of reference publications or noted persons with concise information about them. schroepfer pollet aims to keep a misterious wave regarding who is who or who is not who. honestly it was, and always will be about the music, more less about the author. minimal at its best, with two powerful dancefloor tracks that would keep you busy while trying to find your mind within all those bodies moving in the club...

Ändrewvelt completes his musical puzzle... only 150 copies on limited vinyl

dred is the new imprint from tanstaafl, born out of anxiety and hope of a better tomorrow or at least one that doesn’t suck as hard as today, seeing what we have by letting go of what we want, allowing for the undiscovered to be discovered, apparently. two tracks by s:vt aka sven von thuelen with a killer remix by john osborn. made with love in berlin, schoeneberg.

we continue the orb’s sin in space remix ep series with a third volume focussing on the duo’s latest full-length, the highly acclaimed cow / chill out, world! (kompakt 354 cd 134). the spontaneous, organic vibe and sample artistry of the album is reflected in three distinct reworks from highly respected kompakt mainstays the field, dave dk and jÖrg burger - all of them informed with surprising twists and displaying a clear lineage to the source material. the field’s remix of 9 elms over river eno takes the original s percussive part and unfolds it to a swirling, tropical epic that alludes as much to the orb s multifaceted sound collages as it does to the hypnotic, looping flow of the field s own output. meanwhile, dave dk turns in a club-friendly revamp of 4am exhale with the fittingly titled accellerator mix, indulging in exquisitely lyrical glitches and the magic of the straight bassdrum. jÖrg burger takes a shot at the beatless 5th dimensions with the excellent dschungeloper mix - its loose pop jam feeling and flirty shuffle rhythm recall burger’s lush lounge core efforts under his triola monicker.

limited pressing of 500 copies on pink coloured vinyl.

this will be the last main records ltd. release - so make sure you get some copies! the final release comes around on coloured vinyl!

the avant garde movement largely influenced katsoulis early compositions. after which, he turned to minimalism, applying elements of jazz and rock into that genre. since the 80s, the use of technology became gradually apparent in his compositions, whist not diminishing the importance of the human factor and the creative involvement of the performer.

4th release 4 tracks 4 times fun for the floors for 4 different times of the night. stop reading rather listen.

the 4th installment of his anomaly project fred p explores the galaxy with 3 deep cuts. light work digs deep into the astral plane, truth told gives a view of interdimensional energies, finishing wih an upper 4th dimensional vibration, todays future.

mysterious acid project. amazing spacey cutz from another world. special handmade silverprinted cover.

after mathematics, bio rhythm and la beauté du négatif, american artist deviere is back on parisian label unlearn. lobster theremin artist and unlearn affiliate royer is on remix duty. water drums (a1), a deep and spacey cut reminds a joey-anderson-esque imagery for a moody and introspective club experience. strong yet subtle in the low end, this one is for the big sound systems. royer’s demi-monde remix comes up as a more housy interpretation, mixing dubby inspirations with lo-fi aesthetics. reminiscent of kyle hall’s early works on moods and grooves, rising (b1) is an upfront dancefloor track suited for peak time euphoria. speak into existence (b2) is probably the most accessible track of the ep, oscillating between acid-yet-warm feelings and solemn preacher-preachin’ vibes.

london producer bxentric releases his latest ep sakura fall . this is the third release from his own label nanda records, following the well-received patch valley and chrome eps. prior to launching his own label, bxentric released on eskimo recordings and glasgow underground. in november 2015 patch valley was included in maceo plex s essential mix for radio 1 and was supported by the likes of barnt, job jobse and bicep.
the a-side of bxentric s latest release includes sakura fall which is a dark heater followed by a contrasting downtempo track afon . the b-side offers a melodious matt karmil version (pnn, beats in space, studio barnhus) of sakura fall . bxentric s lead track has already received airplay on b.traits friday night bbc radio 1 show and support from joris voorn, baikal, andre hommen and kollektiv turmstrasse.

amazing release! t. gavroche, another mysterious alias for a well known artist, releasing his first ep via soulsity. >new era ep< brings 2 tracks perfect suited for long mornings, also powerful pressured for any time of the day or night, both with a subtile feeling of nostalgia. tip for the ones that still feel the music, rather than use it as a universal travel ticket to other dimensions … or places.

das limited-edition-box-set enthält:
- das neue album auf doppel-lp
- bonus-vinyl im maxisleeve mit den alternativen versionen
- das neue album auf cd
- bonus-cd mit alternativen versionen
- t-shirt (größe l)
- handsigniertes foto
- notizbuch

invisible, inc pull out the stops with their most dancefloor-friendly release to date which comes courtesy of strange culture aka glasgow-based dj gk machine. the ep features 4-tracks all built around the classic arpeggiators and self-oscillating filters of two synth heavyweights going head to head: a customized jupiter-4 meeting a seriously hot-rock-burned jupiter-8.

this is the first various artist record on peder mannerfelt produktion with tracks by isabella, andre kronert, peder mannerfelt and sissel wincent.

following a storming barrage of kicks and whistles on -i m alright mate- via south-westerly label timedance, lauded sonic explorer bruce settles on hemlock and kindly offers a trio of exotic and rare tracks.

second release comes from berlin based b.e.f., soaking you into a deep journey of the now. a repetetive meditation - forward pushing and hypnotising. b.e.f. has been a steady part of parallel berlin since a few years, so it s a logical next step to release his debut solo ep on our label. he has been releasing under different monikers, which have been subjected to quite a lot of variations. he meanwhile found a coherent foundation of a rough, hypnotic and gritty sound. coming along with the process of discovering the most genuine way of expression, he focused on analogue gear. “waveforms are not only a mathematical law, waveforms are everywhere, in all sections of everyday life, in light and in sound. parallel is one of the many parallel universes out there, living and believing in variety, whilst pointing onto respect for various life forms. we do what we love”.

different shapes & sizes is a new, 3 part series of eps from berlin resident spencer parker forthcoming on his work them records imprint over the next few months. conceived as a neat way of showcasing parkers love for different shades of house and techno, different shapes & sizes takes a walk through the rekids artists love for the subtle differences in the genres he tends to focus on most in his sets. london-born parker has been in fine fettle this past few years with his its not over project riding high while work them records has been lauded for tracks and remixes from the likes of radio slave, rodhad, pittsburgh track authority, young male and dan beaumont. different shapes & sizes: part 1 a double a-side exercise in muscular, simplistic house workouts, drops on vinyl and digitally in february with parts 2 and 3 following in march and april respectively.

the talented italian producers pietro caprioglio aka autre and federico pedron aka xinner kicking it off with nebula. an emotional piece of late night techno music full of analog warmth and heart warming depth. autres seiryu is an atmospheric and loopy groove monster for the deeper dancefloors.dresdens kryptic universe delivers with 01309 stairways one of those gorgeous and simply perfect analogue sounding dub techno tracks. incredibly textured piece of work wich could have been already a classic since the golden basic channel/chain reaction years. owen jay and brian james closing it up with chordless. this is a mind blowing take of chord driven club material.

musically and emotionally, superpitchers third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and depth of style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period on record label, hippie dance.

belligerent electro and techno coated with fury, descending directly from the mountains of medellín, colombia, by the hands of a mestizo insurgent.

latvian producer w3c, taking his moniker from the acronym for the world wide web consortium, affords oversight to the totality of the internet comparable to his namesake standards organization. and where the latter concerns itself with education, outreach and software development, the former is a pastiche and collage savant using online connectivity and access to wrangle all strains of electronic music and collide their respective particles into an unrecognizable, yet eerily inviting sonic edifices. debuting in style, earlier this year, with the vinyl-only atmospheric entry ep, via pinch s tectonic-side-venture cold recordings, w3c now joins the infinite machine family with state of absolute alienation

forging an idiosyncratic musical language, told through exotic rhythms and adventurous wordless vocal explorations, deal is fays boldest work yet, moving further away from the pop signifiers of previous exploits. with an articulate minimalism, deal flexes and shapes these elements to their maximum potential through vast spacial movements that evolve down unexpected paths. compositional directions diverge through variations on a theme. the album s complex choral arrangements and daring structural ideas demonstrate a deft understanding of music foundation while departing into abstract possibilities outside of these standards. a conversational interplay between drum and voice is at the center, highlighting the human element. a loose, primal urgency guides these compelling and playful electronic compositions that favor intuitive sense perceptions over self-expression. the voice acts as a beacon throughout the record, leading the rhythms and arrangements towards their next move. deal is music for movement, an active listening experience that feels narrative or visual, building tension and anticipation of where the piece will lead, and what will happen next. the album uses sparseness to it s strength, with each note and drum hit sounding more potent and unexpected. here you ll find soul, exhilaration, guts, humor, freedom, play, humans animalistic nature. with a willingness to embrace the potential for new music, deal is a brave and different record that will reward listeners.

vlad dinu opens mihai bravu s 1st release starting the audio journey with deep in my house, a track that occupies the entire a side, just like a proper tool should. as the name of the track hints, we find ourselves submerged in deep territory: a tight and groovy bass line, laced with a steady percussion, sprinkled with some 16bit arcade reminiscent accents and soothing intermingled vocal cuts. the deep vibe is crafty perpetuated by several synths at play, which together combine in such a way to add a wide atmospheric feel to the composition. definitely deep in my house sounds and feels more like of a 90’s tune, and while listening to it, one could easily find himself drift into the nostalgia of the good old days.
side b goes even deeper with two tracks defined by the notion of head tracks. gun zah continues the storyline with twisty percussive rhythms and a groovy atmosphere, tailored into a bangin floor choon while questions answered submerges the listener into layers of groovy basslines, swifty percs and milky synths, all put together into the form of a most alive track.

180 gram vinyl - sand starts off the year with a new ep by swedish naan boys (jesper dahlbäck aka the persuader and nima khak), their third ep on the label comprising 3 raw analogue dancefloor cuts.

one-off collaboration with off-white c/o virgil abloh. off-white picture disk with mint card and clear envelope. very limited.

finally, the saviour remixes form popkissed debut album is ready for release and on a lovely 4 track vinyl. two deep proghouse remixes from terje saether, techhouse from ruben naess aka end & below and a chicago inspired deephouse remix from robert solh

noumen - white silence we first spotted noumen in 2012 and alongside cygnus was one of the first to be asked to join cpu. over 4 years later he finally delivers an ep and lp that is a true labour of love. abstract electronics of the highest quality. it s idm, but with that essential hip hop influence making it immeasurably more addictive and pleasing. with plenty of melody and swing layered over intricate rhythm programming, it leaves listeners stunned. white silence is taken from the forthcoming album apeiron. remaining 3 tracks are exclusive to this ep.

pads boss & klang club affiliate compiles a few choice tunes that give a insight into his love of lush tones & emotive vibes after connecting with fp for a tribute to the klang club w/move d, christopher rau + collaboration project w/easy to remember

vent present the next step in tolgas journey to explore the peripheral edges of consciousness and experience - a mental expedition beyond the fringes of reason into dark borderlands of cognisance. swedish black metal band totenwelt contributed to illa ki providing vocals for the track. our wish for this release is to help guide the listener to a stripped down state of being, free from thoughts and emotions, alone with nothing but ones living breath.

raw minimal techno specialist mono junk is back with a selection of new material on his own dum records. having pioneered key techno sounds as far back as 1990, more than 20 years later the influential finnish artist is still on top of his game. up first is halo, nine minutes of edgy techno with a nervy lead synth snaking around in paranoid fashion. rolling drums set a direct groove in motion below and the whole thing will be brilliantly hypnotic on the dance floor. halo 2 is a hallucinogenic bit of ambient with celestial drones and icy synth prickles making for a tense interlude, then musta peili is all fucked up and scuzzy, study and disrupted. sounding like a slowed-down techno track heard though a freezing snow blizzard, it is masterfully textured. farewell closes out the ep with an intergalactic bit of glassy melodic techno that will have you up on your toes.

marc romboy presents his upcoming album voyage de la planete his first solo full-length production in over eight years. released on his newly launched hyperharmonic label, voyage de la plantète signifies an exciting new chapter for marc as he experiments with his sound - pushing the boundaries between classical and electronic music to create both an emotional and atmospheric experience. the first impression of this new sound can be heard on this 10inch, the album opener monde futuristewhich blends together beautiful strings and soft flittering synths. while „monde futuriste“ merges the beauty of the violine played by miki kekenj and electronic arrangments, „voyage de la planète“ mixes the two mediums together with fluttering synths and a somber string quartet. inspired by a concert with the dortmund philharmonic orchestra where he performed claude debussy works in a contemporary way, this 10inch and the album signify the start of a new chapter for marc romboy. combining the strange, fascinating sounds of electronic music with the sublime beauty of classical music to create an extraordinary sonic experience for the listener.

it was in june of 1980. after a long and intense journey through time and space, rupert marnie met spiritual highness frater loannis and became his apprentice. the magus told him invaluable things, like controlling his precious bodily fluids and the holistic mastery of others’ endocrine glands. the greatest wisdom though reached him on his seventh day, when frater loannis professed him an an-cient ritual that would allow him to meet the titan ufohagen, also known as cdboy. it was the 4th, when he appeared, dressed in a long, slim silk cloak, a sprinkling wand in his right. rupert stood in awe, immediately losing his newly gained fluid control, and started crafting a piece of music, that would remind mankind that not all is lost, as long as there is almighty ufohagen.

tuff sherm (also known for his work as dro carey) has become an extremely prolific and well acclaimed producer over the years with releases on the trilogy tapes, berceuse heroique and opal tapes. a long time in the works, this versatile release increases in intensity from relaxed lounge piano and slap bass grooves on the a side to full out melodic tribal techno on the b.