a classic retold: dystopians latest ep goes way back to 1996 when the track interplugreaction was released as part of beroshimas lost freakquencies vol. 1 ep on tanjobi records a sublabel of acid orange. more than 20 years later the track has proven to be timeless and still creates that unique mood on dance floors. dystopians interplugreaction remixes ep bridges the gap between then and now by combining the original track with remixes by rødhåd, marcel dettmann, tijana t and somewhen on two 12 inches each having an individual cover design. continuing to push forward and blur the boundaries with the same energy and vision that he had in the 1990s, beroshima, remains a key character in the story of underground electronic music.

bangin groovin darkish techno

the entirety of space, time, matter, energy, the physical laws and the constants – omniverse. three original tracks from vril plus a remix by his master’s voice. two mysterious identities. scattering sound waves.

next dystopian release from the mighty alex.do

bold blocks and fine lines – distant echoes and jon hester feature on dystopian’s first split ep blending archaic heaviness with sophisticated subtlety.

rodhad’s debut album ‘anxious’ sees the artist step away from the dancefloor and further develop the narrative qualities of his beautiful soundscapes. it was the natural next step to present the sound he began cultivating with his recent eps “kinder der ringwelt” and “söhne der erde” as a full length lp. the experience the album is trying to convey is being thrown into a world that is ready to crush you.they have you with your back to the wall, and you are ready to give way to despair. will you be able fight back? how is it even possible? rodhad is the spearhead of a new generation of techno producers and djs. with his bass heavy grooves and dubby atmospheric soundscapes he is a sonic guide, knowing exactly where he wants to take the crowd, leading through the inexhaustible sounds of techno music in all its beauty and gloom. he fully immerses himself into the music, yet never loses himself. growing up in berlin’s rougher outskirts, as a teenager he was able to grasp the final flashings of berlin’s mythical nightlife of the 1990s at legendary places casino and ostgut. in the late 2000s the dystopian crew began their own series of parties and then the label with two seminal releases by rodhad, “1984” and “blindness”.

fresh recondite on dystopian , big one !!

excellent remix vinyl !! jus listen

these 3 atmospheric tracks are circulating for a while trough the live set of woo york. with the best combination of epic soundscapes and melancholic melodies, it shows another wide range of dystopic music.

sascha borchardt aka monoloc is a dystopic atmospheres fanatic that has dedicated his life to the dance floor from an early age. the frankfurt-born artist’s raw yet sleek take on techno and ambient has evolved to characterise his own musical style in his productions. monoloc’s sound is a mixture between techno, dub and ambient, nurturing a tone that is driving, groovy and low-slung, but with greater emotional range. he acquires most of his inspiration from old movies and likes to work mostly with field recordings in his productions. ‘the untold way’ on dystopian is his second album, following his first in 2012, and shows a notably matured development in the artist’s style.

floating astronomical objects and the void in between – jon hester enters the dystopian circle with four gravity manipulating techno tracks coming directly through the wormhole. jon hester got his start in the midwest us, living in chicago, minneapolis, and connecting with detroit. after years on the dance floor he took to the decks, going on to work in a record shop, host his own events, and hold residencies that developed his sound. music production and a move to berlin followed, but dancing and mixing are still the inspirations that drive him to create. his dj sets are built on physical rhythms and adventurous programming, effortlessly combining diverse varieties of techno and house. with an engaging presence and a knack for telling a story, he builds a unique connection with each audience, and works any room until it sweats.

between the high-rises and the depths theres a light glowing. alex. dos second ep for dystopian combines techno with melancholic wave, percussive brilliance and heavy bass drones.

drumcells debut on dystopian. evoking visions of a forbidding future. heavy drones, doomy synths and vibrant stepping techno all blended in masterly precision. artwork by eric winkler.

2016 repress , ,somewhere between germany and italy the signals were found. and what we heard from distant echoes is dystopic techno in his own definition. echoes, echoes everywhere. find the debut ep here, 4 tracks for the floor, the home, the road

2016 repress
recondites debut on the dystopian label. four tracks feature the whole range of creativeness from this extraordinary producer. or as the groove-magazine puts it into words: from borderline-idm (liberia) to trance-not-trance (cleric), industrial-beat (ec10) and john-carpenter-house (equilibrium) - it has it all. the many shades of techno!

the last release of dystopian this year and also the follow up release of rødhåds * kinder der ringwelt*.
in 4 tracks the red mastermind is exploring once again the paths outside the strict techno world.

distant echoes is back with his second ep for dystopian – blending pounding precision with shady noisescapes and sublime melancholia.

the mergence of two well-known artists: this is armitage transmitting signals from the depths of an obscure world. dystopian soundscapes between techno and house.

slamming atmospheric techno ... dark and experimental

no more words to say, stone edge delivers 4 fantastic cuts, all on the edge of techno, house, dub and melancholy

another famous producer transferred himself to a dystopian character to define his impression of electronic music. science-fiction sounds meets eclipses and melancholic souls, all under the umbrella of isaac asimovs ideas and visions. 2015 has landed.

repress
slamming dj tool techno

excellent dj tool techno in true dystopian style. ltd repress

8 track compilation, a dystopian ending of the 2014 year!

this very first debut ep of alex.do shows the unique taste of the young berlin boy. from detroit to trance back to 90s jacking techno and some melancholic dystopian vibe – alex.do can do everything in his outstanding freedom of mixing the past and the future.

red rising out of the ruins - dystopian producer and mastermind rodhad follow up with his third ep on dystopian since 2012. in three tracks between hell and mars, the red techno man shows his amazing melancholic and deep style.

es geht weiter – recondite lotet in 4 tracks seine dystopischen klangwelten aus. wie ein uhrwerk orange, praezise und auf den punkt

jubilee for dystopian… not only the number 005 for the label, also 5 years of dystopian showcases around the world and a good working agency and label since 2012 – the dystopian guys want to say thank you with that special release. and what fits better to invite some long term guests to remix dystopian artists ?! first, we invited pär grindvik who played the second dystopian party ever in 2010 to remix the already wonderful >stone edge< by felix k. and what else to say, that one turned out into a tribal techno monster.second remixer is function – he played the every first dystopian event back in 2009 (you remember, as sandwell district live, ben klock, shed and rodhad).. so, this time it s our pleasure – and to get a good balance to the a-side, he delivered a groovy hypnotizing minimalistic tool.. you need to let i grow, but than this track getting you from behind :)

round 4 at the dystopian camp! this time with alex.do, rodhad and felix k

sascha borchardt aka monoloc is a dystopic atmospheres fanatic that has dedicated his life to the dance floor from an early age. the frankfurt-born artistÕs raw yet sleek take on techno and ambient has evolved to characterise his own musical style in his productions. monolocÕs sound is a mixture between techno, dub and ambient, nurturing a tone that is driving, groovy and low-slung, but with greater emotional range. he acquires most of his inspiration from old movies and likes to work mostly with field recordings in his productions. Ôthe untold wayÕ on dystopian is his second album, following his first in 2012, and shows a notably matured development in the artistÕs style.