electro industrial tracks ltd release

johan sturesson and annie gylling aka kord with a 4-tracker for femur.

the new femur release features the swiss duo savage grounds, agents of a dirty, raw and miserable sound.

despojos cósmicos (cosmic debris) is julio tornero s debut at femur. a plea in favour of dark, sullen, wretched, repetitive and miserable music. four tracks swinging between mechanical dance, decadent experimentation and a trip to that place, which was abandoned long time ago.

femur s second release goes deeper into totally unsettling, dark and gloomy sounds. this time with one of our most valued fellow artists celldöd. we are proud to press the track -terrorbalans- for the first time on vinyl. it had been previously released on cassette by celldöd himself on his own platform brutal disciplin. he has also included two unreleased tracks, the machine-like -svart sira- and -socker-, dirtier and naughtier. the closure to this second reference is a magnificent remix by swedish duo fishermen, originally released on brutal disciplin, too.

femur rec makes its debut as a recording label with a 12 by the scandinavian trio, frak. there is not much we can add about these three brilliant swedish artists, as their decade-long careers begin in the mid-eighties and is full of references in well-known labels as börft records, lux records or dark entries.

der deutsche produzent präsentiert eine platte mit klaren japanischen reminiszenzen in einer dystopisch-futuristischen, roboterhaften sci-fi-aura, die von der aufgehenden sonne durchflutet wird.

limited edition of 300 copies.

futuro perfecto ist die eindrucksvolle erste veröffentlichung von univac für femur. dabei wird die leidenschaft für maschinenähnliche, kalte und raue geräusche betont. die auswahl der klänge ist vielfältig und nicht klassifizierbar und trotzdem behält der sound seine persönliche und nicht übertragbare note.

senales, spanish for signals, is the new work and debut at femur by rafa m. espinosa, aka geistform. it depicts a round trip to the darkest side, the sullen and dismal side of our sonic concept. the four tracks, which make up this 12- range from odes to smacking electro beat, obsessive mid-tempos, old industrial echoes and sinister and unsettling atmospheres.