another show stopper from french outfitles umins. its all about the remixes on this dope three tracker, as home and garden kick things off with a tough, synth heavy retro 80s mix thats a totally new sound for these boys. on the flip brett johnson shows why hes the man, killing the floor with a truly bugged out take on the original thats just got prime time madness written all over it. sounds like a bit of plastikmans spastik in there! icon on point with an essential underground release.

jazzy eyewear, aka so sounds dj mood, teams up with icon and the swirl peepz for an absolutely essential doublepack of funky house grooves! five tracks in all, this release has plenty of hot flavors to please jocks of all styles. its the a-side swirl peepz cut that will get the most action, a stripped-down bass-heavy dubby banger that does the sexually-charged tense vocal some justice - peak-hour gear for heather, carter, farina and the like. meanwhile luke sardello adds some acid magic, jazzy eyewear mixes 303 and tribal beats on his original, and the swirlies throw in a nice dub as well. big release that will please everybody, great work icon!

one of the biggest tracks in 2003, certainly here at syntax, gets a rework courtesy of landshark lance desardi and luke sardello. landshark main mix removes the adam sandler intro, beefs up the beats and adds an extra melody, almost german poptastic, and includes an instrumental. flip for the dub - huge oompty shiznit happenings ! massive wobbly reverb bass and a touch of quirky acid, little telephone ring loops ad shuffled hi-hats. >mix your own temptation<is an acapella with hand claps. icon roll on

jake childs returns to icon under his morning star moniker with a remake of the nitzer ebb join in the chant from 1988. join in the chant bacame a classic alongside groups like ministry and front 242 and helped define the future of dance music. with this interpretation jake keeps things deep, retaining the key vocal hooks and bassline while taking the rest of the production in a more subtle direction.

miles maeda rubs out one hell of a remix with his trademark jackin beats rumping bassline cleverly edit vocal sample of just be good to me & a huge bridge section that strips the groove down with another massive bassline flip for a nasty little hypnotic dub that is just as pumping as the original also included is an old school house mix with lovely percussion work deep dubbed out key stabs & deep juno sub bassline

nice deep house three tracker with a great jt donaldson remix with a great new acidic bassline and drifting dubby effects !!! (sb)

this four-tracker sounds fresh today, from the funky bass-heavy stomp of jt’s 'leave your world' and his disco-filter 'simple pleasure' to the early brett johnson remix on h&g’s 'find your love' and tim shumaker’s own farina-favorite remix.

a stunning two-tracker of pumping deep house and jazzy, funky broken beat styles. on audio foolhe teams up with vocalist james torme (son of mel) for a smooth excursion. the flipside goes heavy on cpens trademark synths with hot 80?s sounding synth stabs, rolling bassline and a stonecold electronic boogie beat