meet bwana. his tunes started racking up plays and conversations commenced with new music buddies xi, submerse and djd. a variety of different 130bpm sounds were toyed with from dubstep, garage, 2 step, 808 dubstep and his very own mashes of r&b-lead garage-step. it all seemed to work. a bunch of labels got in touch and tracks were signed to mad decent and montreal based infinite machine.

irishmen kieran craddock & peter fleming, aka effy, after 2 releases on discos dead and erimus, respectively, showcasing their jackin house and dark warehouse proclivities, and attracting support from uk households such as swamp81, are now armed and ready to join the im family.

cambridge resident samuel emerson iliffe, aka ill life, is driven by a penchant for warping things. akin to warping his sonorous surname into the ill life moniker, he warps formely innocuous techno fare into a clangorous, concussive march of living, breathing percussion. samuels sonics seemingly owe a considerable amount to recent innovations from the likes of blawan or perc trax alumni, however his only fault is taking part in the phenomenon of synchronous innovation. before karenn coalesced, before clouds newest offerings started being rinsed, ill life had long since moulded his sound. it is infinite machines infinite regret to have discovered him so belatedly. but there is no use crying over spilled trax.

baths resident prodigy troy gunner, having previously cut his teeth with a trilogy of eps charting leftfield ukg, post-dubstep, and funked-out seemingly-moog-driven bass jams, joins the infinite machine fam with a singular take on dub techno.