incl. hermanez moody rmx

miconn records have set themselves extremely high standards with their first two releases gold coast and aella ep gaining impressive support from dubfire, christian smith and carl cox. release three has hermanez back flying solo with a stunning mix from martinez to complete another impressive looking package. marrakech is a slamming tribal-tech track that draws the inspiration for its title from the ethnic percussion and chants

in contrast to a recurring theme of uninviting releases by labels that seem to offer tracks- so easy to digest they get lost with an un-inspiring and flat feel, the collaboration of hermanez and ramom tapia is a coupling of dark moods and techy deepness, listen even deeper and you?l find a wealth of detail stuffed full of mythical rides push an organ into a dark corner and have it brutally assaulted by a groove-hungry gang of latin approved drums and the outcome is pretty much that of miconns second release. syncopated sturdy percussion and hi hats sit amongst a spring-loaded beat whilst lazy organ keys relax the pace

with the majority of deep electronic music being provided via europes minimal hive - berlin, its an enlightening prospect that one of belgiums key players in the scene is behind the musical direction of new imprint miconn records. having produced a string of successful remixes of artists including chab and bedrocks polefolder, whilst appearing regularly across his native club scene, it was only a matter of time before miquell santos turned his attention to a dedicated output for his music. whilst an exciting new remix of rennie fosters slamming >devils water< is being released in 2009 on rebirth, the debut release under his hermanez moniker is scheduled for an appropriate new year release on 12inch . turning his production to a more early morning vibe, >gold coast< is a carefully selected debut of crisp deep house beats with just enough wonky additions for even the most demanding of minimal heads