limited edition of 250.

killer minimal nation styled techno

extremely limited collectors edition of atom tm & tobias. toolbox series (cuando, zahlenraum & enne) released on pomelo (pom45-47) with a dextro-designed cover, including download codes of all releases with exclusive edits

deadly analog techno bombs

atom tm & tobias >zahlenraum< is the second in a series of three eps on pomelo, the follow-up to last months cuando. zahlenraum features 4 cuts of daring, hypnotic and darkly twisted techno taken out of a recent studio-session.

atom tm & tobias.s cuando is the first in a series of three upcoming take-no-prisoners techno eps. atom tm & tobias. showcase their unique skills for hypnotic dance floor killers in unmatched sound design and once more prove that they are playing in a league completely their own.

buffered multiple is the techno a/v project of vienna electro poster boys microthol. buffered multiple return to pomelo after their debut on our 20 yrs compilation and subsequent eps on other imprints. buffer 05 starts off with prime time in super-saturated dub techno mode, its sublimely textured chords ambling hypnotically over a tense and pounding beat. shitty track changes gears into jack mode, with a bleepy morphing swing hook that drives up the intensity over a percussive beat and takes all the right cues from chicagos second wave productions. junolized delves deep into the abyss again, its expansive echoes weaving intricate layers of dub over a foundation of bottomless bass.

electric soul style

pomelo are back with another techno gem by lodig/dibek. the viennese duo delivers two modern techno acid tracks in unique style. on the flip side the cheap records duo erdem tunakan and alpha tracks surprise us with an old school piano techno rave remix.

release & versand am 29.08.2016 dl/ms/ is the new project of dan lodig and martin sovinz, who have joined forces for a three-track debut of jacking analogue techno that brings both artists fortes to the table. dan lodig contributes the rhythmics and staggering arpeggios. martin sovinz complements this with the eerie keys and masterful effect use that show off his impressive skills of putting his analogue gear park to work. far from being a one-off project, /dl/ms/ have been working on their music over the past months, and further releases on pomelo, trust, and more are on the horizon.

nice price deal !!! raw 2005 electro-release by christopher just for pomelo, remixed by microthol and the love project. comes with 12 inch mini-poster.

transmitting from their mist-filled, strobe-lit lair, group niob join the ranks of pomelo with an ep of pure-bred, cavernous underground techno. founded by prolific cheap records alumni and long-standing pomelo contributor gerhard potuznik (aka g.d.luxxe, gdx, pin-ups in exile) and his hardware-obsessed partner martin sovinz (aka dibek), group niob follow up their previous releases on their jointly run phlox imprint with two tracks of techno perfection: ‘nue’ starts the ep in high tension mode – grumbling bass lines, endless echoes, and a punishing groove complement the track’s subarctic atmosphere. on the flip side, ‘target’ turns the heat up a notch with a warm, rolling bass, hypnotic chords and dubbed out stabs, dubbed out and acidified by pomelo’s own daniel lodig for his ep-closing remix

*eat my pussy* is the delightfully nasty debut solo release from latvian artist anet k., coming out on pomelo november 24th. the title track, featuring anets vocals and production, functions as both a demand and endearing request, fusing her encyclopaedic knowledge of electro with a cunning lyrical twist. with such a explicit title, it should come as no surprise that the inspiration for *eat my pussy* comes from firsthand experience. anet k. is no stranger to the scene – as a long-term resident of berlin she has contributed vocals to several recent releases, including barkers *like an animal* on leisure system. for the remixes, dj stingray presents the vocals as an even more aggressive command, while the legendary egyptian lover raps some addictive verses and completely revamps the arrangement, presenting his personal ode to cunnilingus in an earworm chorus. on the dance floor or between the sheets: you wont forget *eat my pussy* anytime ...

2nd part for 20 years p o m e l o with tracks from tin man, elektro guzzi, digilog!

20 jahre pomelo !! die vinyl ep dazu .. check

pomelos newest outing is delivered by the nyc based producer extraordinaire brendon moeller, a real master in the field of techno and dub, also well known for his productions under the monikers beat pharmacy and echologist.despite his 10 albums and over 50 singles released for some of the best labels out there, it is three of brendon’s strongest tracks to date that have made it on his reconcile ep. the ep’s title track promises a subtle fusion of house and techno through a loosly swinging techno groove, and duly delivers with echoing chord cascades and spluttering sound effects. machiavellian impulse picks up the intensity with a more direct, pounding beat, to which stuttering, spacious stabs add an element of deepness and dub. loudness sustain decay finally has a whole side to itself, starting out as a lofty house mover, with a pulsing wild pitch synths slowly adding tension until the track’s wild finale.

tin man has been creating a stir on dance floors worldwide for many years with his unique vision of acid, techno and house. in recent times he has opened his production toolbox to a wider variety of styles, also focusing on songwriting, often adding vocals. the underdog series, produced last winter in new york, emphasizes on deep killer techno – this new release – the underdog ep part 2 – features three floor shaking techno cuts in different shapes. on the a side the aptly titled >swarm< features an epic minimal acid tune building over 10 minutes driven by twirling soundscapes resembling a swarm of killerbees on attack. flipping over there is >hack<, which bows towards soundhack with its dirty funked up sample chords and cut up groove. the ep finishes off with >rocky<, a masterpiece in reduction – hypnotic and deep techno.

after spending 6 months in new york tin man returned with 2 records for pomelo.the first of the pair, the underdog ep pt1., features two of tin man’s most party ready tracks to date.

bad cop bad cop are underground veteran alex cortex (xx badcop) and glam-tech-hero lopazz (zz badcop), both well-established producers and perfomers for many years with top-credentials on smaller and bigger imprints alike. so different they are in their respective solo-projects, so indistinguishably they melt their unique visions into one flow of effervescent creativity when they hit the studio or stage together.
cd-copy of the full album included.

preceding the release of bad cop bad cops debut album >wings of techno<, 4 tracks of the long player get the remix treatment by a unique quartet of techno artists: tobias, group niob, brendon moeller and pomelos upcoming star kemetrix. >wings of techno< is a psychedelic tour-de force through various styles of electronic sounds. deep and unique, jacking at times while laid back and cosmic at others. all four remixers on duty here manage to keep the psychedelic and surreal feel of the originals intact while adding a great dose of dancefloor friendliness to the tracks. ostguts tobias. reworks hilton hihat into a deep and dreamy acid techno tune. he is followed by motor city talent kemetrix, who steps up the pace and edginess with a twisted, stomping electro-techno hybrid remake of beauty. group niob, the viennese duo formed by cheap records legend gerhard potuznik and martin dibek, contrast the goth-pop vocals of the original bodyless material with deep dubbed- out techno beats. and lastly, the unmistakeable brendon moeller turns cheeky into an undulating, deep bass driven dub techno stomper

pomelo introduces the motor citys superbly talented kemetrix, aka soulwerkz detroit.

elektro guzzi have been called a lot of things – from man-machine to first ever real live techno band – and most critics have added plenty of superlatives to their descriptions.

ld nero returns with another 3-tracker, rooted in 1990s house, with that unique hypnotic and playful vibe we have come to know and love.
warehouse dew 1-3 are three tracks made for the dancefloor – constantly moving, constantly changing, this is serious house music with a techno edge.

15 years have passed since alex cortex began to create his own vision of electronic music - timeless and beyond trends, without a buzz or hype, steadily winning the following of djs and home-listeners, collectors and critics worldwide. his style can be described as unpredictable to a certain point, while maintaining high aesthetic standards. playful with quotes and references, always low-key and focused on psychedelic immersion into sound that shifts the attention from the artist to the music. kihon is a very personal effort, as suggested by the self-portrait on the cover that puts ear, eye, and mouth -reception and production- into context. the carefully elaborated design of this gatefold double lp speaks as a whole and in true minimalist fashion about the passing of time, without ever declaring nostalgia to be a means for itself. this also reflects in the music. alex cortex evades large gestures and obvious quotes, but is certainly conscious of locating his album within a framework of references to other works of electronic music that are important for his own musical evolution. in 11 nameless tracks, kihon takes us on a journey through organic worlds of sound that invites us to flow with the music and connect with the feelings contained in it. the title kihon that relates to japanese martial arts translates to basics or fundamentals, the training of which does not even cease when reaching master grades. those basics that are passed on beyond time are also the foundation of this album. by concentrating on the bare essentials, the music begins to speak, turning the album into a harmonic whole. kihon therefore is also a return to listening, away from a utilitarian perception of music as a background sound. this does not mean it would not work perfectly well in a club context -in the right hands it indeed does- but more notably, kihon is a work of art worth your attention and destined to stand the test of time

after his debut on baby fords trelik imprint, ld nero graces pomelo with profound house rhythms - delivering a perfect record for the hot season. title track be the light features a very catchy hook over deep strings and sparse but effective rhythmic programing, achieving an ethereal summer tune, floating and hypnotic, but grounded in the low end, - effective like a lightning strike in a steamy summer storm. the flip features two extremely stripped down house grooves, reminiscent of mid nineties house á la maurizio, applying subtle changes and transitions for maximum effectiveness on the dancefloor. timeless and classic

alex cortex >unshell< is the follow up to his acclaimed >i wont conform< (pom22) and the foretaste for his upcoming album which is going to be released on pomelo this coming fall.
>unshell< features 4 modern dancefloor tracks in best cortex style, characterized by tight rhythmic structures and a unique and irrestistible hypnotic power.
from deep stumbling house grooves with piano stabs and a male vocal admiring >your sexy moves< and a chicago jacker with a repetitive voice on the a side, to athmospheric dark techno with warped sound effects and breakbeat house layered with modulating 8-bit sounds on the flip, this record shows once more alex cortex skills to move off the beaten tracks in his very own style.

nice price deal !!! atom heart and pink elln team up again for what is volume 12 in their live recordings series. for the first time on pomelo, this set was recorded on november 14 2009 at berlins infamous berghain and features pure analogue acid techno, applying repetitive tones and baselines over deep 808 beats.
1 track per side, 11 + 13min, building slowly and highly hypnotic.
as a very special bonus the record comes with a hand-painted cover art, courtesy of dextro.

nice price deal !!! bad cop bad cop is the moniker of two of germanys most inventive and unique producers, lopazz (zz badcop) & alex cortex (xx badcop). the boys deliver two peak time dancefloor techno tracks – a pretaste for their upcoming album on pomelo (to be released in 2011).
side a - cherry tea : a broken beat monster which builds and builds and is set to cause serious damage on the more adventurous dancefloors.
side aa - life on stage : features the more conventional but not less stomping 4/4 jack track, another one for peak-time madness.

pomelo release from 2000 by hi-lo - from downbeat/electro to techhouse with a nod to detroit. b-side track >i need a shower< is an extended loop.

dark and cinematic electro, made by microthol for austrian pomelo label in 2004.

re-issue of this hot 1996 electro-techno-houseparty-release!

expert techno producer alex cortex returns with a four tracker, which includes some of his best work to date. alex cortex is best known for his versatile output, from melodic downbeat electronica for labels like ann aimee to kicking techno or drexciya-style electro.

sdj stingray aka. urban tribe aka. sherard ingram is one of detroits most original techno artists. after recording a legendary downbeat album on mowax, stingray supported drexciya as official dj, which inspired him to developed his own aquatic electro sound. alex cortex has been on the forefront of german techno since the mid nineties, with his first record tubed (1996) being a big clubhit in germany.

steven espee patton is a young talented dj and producer from glasgow. his electro music is deeply influenced by the deep sea resonance of drexciya as well as other dark and enigmatic artists, such as aphex twin, lory d, dj stingray 313, underground resistance, and artists from his beloved glasgow such as rustie, voltaic, chordata. glasgow itself he calls a huge inspiration to his productions. merging all these influences, espee creates his own individual musical world - a combination of enchanting melodies, intricate bass lines and fat beats. espee is a refreshing up and coming artist and with his own unique style he helps to keep electro alive.

do you remember spring of 96? no? dont worry, it s just back in stock in 4 versions by the trumps.

pomelo #12 from 2001 comes with a track originally released in 1996 on >motel 6< sampler by gelb records and now remixed by heavyweight producers john tejada, dave tarrida and roberto rodrigo.

10th release for pomelo records, made in 2000 by the austrian beat scientists epy.

the art of collaboration is the key on this groundbreaking split release between pomelo and minimalsoul from vienna! on the flip pomelo keeps it rough with track2 by dan lodig, known for his releases on trust, tension and kurbel, plus a remix by lok44 (trust records) in an old school-minimal style.a gem for all djs - the split features 4 completely different trax, for different needs and occasions, on just one piece of vinyl

ltd backstock.. 4-tracker loosely based on a radio-taped salsa-pop song

pomelo proudly presents this techno record by german producer alex cortex featuring lopazz, the team responsible for acclaimed releases on output, freundinnen, platzhirsch and get physical. this time cortex is the mainman, delivering 3 funky, deep and unique techno grooves, minimal, trance and experimental techno, all included. lopazz (with casio casino) provides the most poppy track, >thundercamel<

in reference to the 13 year anniversary of pomelo, the label is proud to present this mini compilation of high quality techno music.the a side starts off with an hypnotic electro track by german producer alex cortex called freakwave, followed by an interlude by viennese electro duo microthol, well known from pom14 black stripe. track 3 is a classic electro piece in best cybotron manner produced by dj glow and dj soulglo (microthol) under the moniker ph03. on the b side we witness the return of dj elins project satanic soul, which was founded 10 years ago for the same called record on pomelo, nowadays a sought after classic. its the only 4/4 track, moody techno in typical elin style. the ep finishes off with reade truths time to accept, brilliant freestyle electro, ny stylee.five deep and different takes on electronic funk for the future