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Supported by Alex Attias (Planet E), Italoboyz, Karotte, Sebo K, Raresh, D Julz, Funk D Void. Michael Melchner is barely at the beginning of his twenties. At the moment deep house of the late nineties has to take a shine to him. In the detail it gets clear, that this is not only a copy of an epoch, but a certain vibe, which is going to be transferred into the present. This vibe with his warm sound, the well dosed house beats and a strong musical sense is hearable, but this sounds by no means antiquated. On A-side several instruments like percussions, xylophone and samples of an Mexican trumpet make sure that there isn’t only an exiting variety shortly before or after the primetime, but also a proper portion of itchy feet. With the both tracks on the flip-side the whole spectrum of Michael Melchner becomes clear, at the one hand a clear view on the dance floor with classical house beats and on the other hand a musical character, which one misses in many current productions. >chen chen< is slightly more co plicated and more rhythmic whilst >nothing happened< is a pleasing leaned back dramaturgical subtle house piece with a distinctive bass line and interspersed voice samples.