Kokning was conceived between the release of Feil Knapp and the beginning of 2010. Through series of studio sessions of experimenting with different sounds; instruments, objects of different textures, whose sounds were played within different spaces of various acoustics. The results were then edited into basic rhythm tracks which then were overdubbed with new series of recordings in similar manner. The album it involves more organic/ acoustic sound basics and less programmed patterns than Feil Knapp.
Since Feil Knapp he has been working on a number of remixes for other artists, including Sunburned Hand of the Man, Lindstrøm, Crimea X, Big Robot feat. Conrad Schnitzler etc. Also working with music and soundscapes for a stage production, as well as touring with my own band, Bjørn Torske Band.
Kokning starts out beautifully. It’s both melodic and melancholic with a warm, slow ambiance. Soft psychedelics and a Balearic rhythm are introduced before it fades into Torske’s signature skrangle-house* and then ends with what can only be described as “Moondog disco” (imagine if Moondog and Count Ossie got together to make disco).
Kokning is Torske’s most fulfilled album and by far his best. This release takes avant-disco, weirdo-dub, post-punk, and quirky electronica — all elements found on his previous albums (Nedi Myra / Ferox, 1999, Trøbbel / Telle, 2001, Feil Knapp / Smalltown Supersound, 2007) — and mixes them into the ultimate Bjørn Torske album.