>Sis Surpriz< is the third in Debruits trilogy of EPs which began with futuristic electro hip-hop workout >Lets Post Funk< featuring Jamie Woon and OmMas Keith, and was followed by 2010s African highlife inspired Spatio Temporel. The trio of releases all feature 3-D artwork by German designer Rainbowmonkey, and 3-D glasses are also included for your viewing pleasure. Debruit is currently crafting a debut album based around trips to West Africa and recordings with the regions indigenous musicians and traditional instruments. Debruit has also been honing his live show which now incorporates a three-piece band, thumb pianos, African drums, highlife guitar, talk box and more, all accompanied by live visuals from Rainbowmonkey. The new and improved live experience will be unveiled at the dates below and Debruits album is due out later this year.
When French producer dEbruit relocated to London, it was just the start of a journey that would take him much further east than Hackney. dEbruit explains; “I lived in a Turkish neighbourhood in London and my productions are always a result of curiosity over the sounds and people around me. I wanted to learn more and try something with Turkish music and instruments so I travelled to Turkey in October, and I’m so glad I did.” The end results of dÉbruit’s travels are the four painstakingly crafted tracks of i Sürpriz (which translates as Skewer Surprise). Traditional Turkish folk instruments are coupled with modern, synthetic sounds on an EP that’s full of eastern promise. Opener Accordé Don combines accordion and darbuka drums (a kind of goblet drum) with “bump-hop” beats, whilst Turkish Ish features zurna flutes, talkbox effects and scything synths. Mezdé’s bassheavy, low-slung bounce deploys the string sounds of the kabak kemane – a violin-like instrument originating from Southeastern Turkey – with darbuka and davul drums. Zurna flutes and synths return on the slo-mo, chopped and screwed digi-funk of Lil Zurna. Born Xavier Thomas and raised in Brittany, France, dÉbruit’s name is an amalgamation of the French words debris (broken glass) and bruit (noise). His boundary-smashing, genreswerving style deliberately veers towards the chaotic – “I like when electronic music and instruments lose control of what they’re meant to do”, he adds.
