Yet on the title-track „Nocturnal Cat“ (including the singer G Rizo, she was already heard 2010 on the track „rise and fall“ on the album „Impassive Skies“ by Pulsinger) he definitely follows different ways at the same time by the means of its Polyrhythm, the booms of the bassdrum and the repeat-crossing beats. At the same time this track, which occasionally reminds of Exotica, sounds like a deeply inspired Live-DJ-Set which is performed with umpsteen records out of far-flung Genres, thrown in a mix over nine minutes.
The „Nocturnal Cat“ certainly comes around a lot and visits on her dusk-to-dawn ways the other clubs in town, supported strongly by its freely flanking sound-parishes which sometimes are swirling around and sometimes as well accentuate the beats.
It seems that the track „Fat Fast“ is like a Techno-Track which was re-born in a futuristic Latino-neighbourhood (which is perfectly matched by the indicated Gospel-Synths). Again the direction is not limited to cross-country, it is plurally parallel, sometimes in crisscross sequence, without ultimateness, but this consequently.
This structure which reminds of a Möbius-strip can also be heard at the track „6-7-8-9 c‘mon“. Finally, this constantly, lightly gleaming Soundtrack-like acoustic pattern comes to its full flavour. This is the way like on the audio track starts already an evil film while there is still a black sliver screen; this is the way how in an artificial jungle misterious things as well as fabolous things (and above all very evil things) are scared up.