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Up first is the original club mix which builds gradually with stripped back percussion, vocal murmurs and airy synths drifting in and out the mix. After a baseline is teased in a couple of times adding to the climax, the super soulful vocal is let rip to dramatic effect, a guaranteed weapon in any DJ´s bag in the coming months. Harry Wolfman injects a bit of the old school into the original with a more jackin´, housed up version characterised by lazy sub bass, shuffly highs and a postmodern organ line which has become so synonymous within the new house sound prevalent in the UK scene at present. One Records boss Adam Shelton takes things a bit deeper with his interpretation. A dark kick, clave and snare pattern drive the rhythm section throughout whilst deep pads and piano chords juxtapose to create a really emotive piece, subsequently giving the vocal a new meaning. Last but certainly not least, one half of PBR Streetgang, Bonar Bradberryrounds things off with a cut aimed straight for the dancefloor with its driving low end and distorted tom-line. Creative use of the vocal and an ever evolving acid line work wonderfully together and give the track real drive and purpose.