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'Morse' itself is like a blizzard-y radio transmission of techno from Cold War era Russian - it's a fine grain and grimey tack with big thrusting kick drums and rusty synth lines that just roll and roll. 'Lighthouse' is a little less stormy, instead focussing on a paranoid and insistent synth hook as cantering kick drums rumble below. 'Nylon' on the flip is an aggressive an arresting offering once again. It's a spacious thing with mysterious bell sounds off in the distance, jarring drums and angry percussion all rattling along at a quick and inviting tempo, before closer 'Suspense' keeps you hanging on a knife edged with its loose and jangling melody lines and thumping kicks. This is austere yet atmospheric techno at its finest, just as Ann Aimee likes it.