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That “Flocking Behaviour” is well embodied in Steinhoff’s debut album by the same name. After a string of 12-inches for the likes of Live at Robert Johnson, Geography or his own-brand Smallville and the very well-received Smallpeople long-player “Salty Days", Julius Steinhoff makes a submission that is all his. Rooted in the elegiac variety of the big three (New York, Chicago & Detroit) and a romantic concept of house music that is at times utopian, the album gathers eight tracks that evoke late nights, hazy mornings and walks on thin air. But “Flocking Behaviour” is by no means anachronistic: Tracks like “Under A Waterfall” could be made in just the same manner by a puerile Baby Ford in 1989 as they represent a swaying dance floor in 2014. “Treehouse” or the title track “Flocking Behaviour” are experiences that make you feel like meeting new people who instantly greet you like old friends. With someone that works and lives in the here and now, Steinhoff seemingly has no interest in revisionism, complains or antagonism, his approach is welcoming and caring, embracing and mesmerizing. Along the way, his musical apparatus never makes use of cheap tricks or antique clichés. Instead, he strips back a sometimes fat body to its emotional bones, resulting in a self-confident oeuvre