Wilson’s arrangements are spacious and deceptively simple – layers are built up and stripped down, with the rhythm track providing a solid framework for jazzy/improvised flourishes. Opener “Ankle Snapper” begins with a politely funky bass line, adding handclaps and a casual house beat that is gradually adorned with cowbell and midi-saxophone. “Pontoon” pushes the g-funk agenda further, coming across like Dr. Dre driving top-down along the Great Ocean Road. Elsewhere, “Driftwood” and “Mystic Beach” allude to Wilson’s prior dabblings in new age – incorporating digital pan-flutes, piano and meditative synths which bubble and swirl like waves meeting a sandy shore.

In addition to his production work, Wilson is a renowned DJ, hosting Strange Holiday on Melbourne’s Triple R 102.7fm where he champions a diverse mix of primitive rhythms, weird disco, outsider music and other Australian rarities. He recently completed a DJ tour of UK and Europe, and now has three Boiler Room sets under his belt – winning him the praises of modern-funk Godfather Dâm-Funk. Vibrate On Silent follows the Erskine Falls 12″ (Home Loan Records, 2013) and Embassy Cafe (Dopeness Galore, 2014), a collaborative LP Wilson made with Melbourne-based R&B vocalist Oscar Key-Sung.