Lum Edit barges in sirens blaring, banging out machine like kick, hats and toms. The heaviest raw funk bassline is unleashed, and lumbers amongst Rap TV show samples and gunshots. Industrial gangster house.
Around has a broken, jazzy Detroit feel. Sparing R&B vocal samples and afrocentric percussion ride the wah-wah and heavy bass guitar.
Rimms comes straight out of leftfield, cutting edge drum machines rubbing up against Baltic art-rock samples. Its a strange claustrophobic affair with ghostly vocals. East European dancefloor paranoia.
Myxa breaks the tension wide open, building a coiled spring of whistle-like riffs. R&B vocal snippets hype it up further before snapping and spilling its own elastic sub-bass. Fine feelgood ghetto-house action.
Podumay's glitchy raw drums stomp forward towards all kinds of unknown sci-fi sounds and Kraut synth backgrounds. The contrast is a Detroit soul bassline and house percussion.
Melt Down brings the tempo and mood way down to a mysterious close. The echoing sound of water and eerie isolationist synth washes recalling BOC. The beat is straight current-day Hip-Hop, tight snares rolling over dangerously low Miami-strength bass. Game over.