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Encompassing distorted riffs and hypnotic rhythms the album sonically attempts to continue on from the more structured elements of the duo’s recent Queller album, coupling that approach with Nadja’s more traditional sprawling, dense and challenging sounds. The relentless fuzzed-out textures repeat and build into a blissful and cathartic whole - a place to be completely immersed. In the deep, glacial and all-consuming world that Baker and Buckareff provide us with here, there is a will to dissolve, to let the record wash right over you or perhaps even through you. At times crushingly beautiful, Stone, Sun, Knife is brought to life by its clever restraints with quieter interludes serving a perfect purpose against it’s more intense, heavier moments. The album’s intriguing title comes from a runic inscription on an Icelandic burial stone but the phrase also appears on the Eggja Stone which provided some of the lyrical content on the record. Nadja have a habit of transcending genres and indeed throughout their career they have been incredibly difficult to pin down. The Stone Is Not Hit By The Sun, Nor Carved With A Knife is a welcome addition to that hefty catalogue and stands up tall against their most impressive work.