For proof, check opener “RDT#2”, an energy-packed techno club jam capable of rapturous responses from even the most sluggish of dancers. The track’s sheer power is astonishing, a feat achieved by Green’s devotion to layering heavy, reverb-soaked percussion hits atop a fearlessly fuzzy, sweat-soaked techno groove. It’s the sound of a thousand robot drummers rising up against their masters.

The South Coast producer’s love of action-packed drum jams is explored once more on partner piece “RDT#1”, a loose and surprisingly spacey composition whose intricate fills, rubbery changes of direction and mind altering drum machine cowbells are unashamedly intoxicating.

Green’s techno credentials are further enhanced by the warehouse-ready late night hypnotism of “X200”, where darting Motor City cymbal hits and wide-eyed, rave-era riffs buzz around a locked-in machine groove. Speaking of rave, the influence of that era’s breakbeat-fuelled dancefloor workouts can be heard on EP closer “Gamma Rays”, where deep space synth lines and intergalactic chords slip in and out of a punchy, all-action rhythm track that gleefully flits between snappy breakbeats and 4/4 jack.

After all this late night intensity, it feels fitting that Green has included a track that shows his more sedate side. Having slain dancefloors, he takes a well-earned breather via “Soul Figures”, an ambient composition that sees ricocheting, delay-laden percussion hits rise above swelling, Pete Namlook style electronics. Even at his most relaxed, Green can’t keep away from the drum machines.