Golden Days is the culmination of a musical journey that spans ten years and has helped fuel the vanguard of 21st century soul alongside the Dap Kings, Charles Bradley, Lee Fields, and Mayer Hawthorne. Since 2007, group founder and frontman Andy Platts (singer, composer, producer) has piloted Mamas Gun with Dave "Eighties" Oliver (keyboards) and Terry "Spiller" Lewis (guitar), plus newest members Cameron Dawson (bass), and Chris Boot (drums). Their distinctive, full-band sound stems from a shared artistic vision among the five members in Mamas Gun. "The present lineup is the best version of the band to date, built on years of important creative exploration with previous lineups," Andy declares. "Those experiences definitely paved the way for where we are now and the decisions we’ve made for the direction of this new album," adds Spiller.

Produced by the band themselves for the first time, Golden Days captures Mamas Gun in peak form. "Everything is live on this whole album," notes Cameron. "It's all analog." The album also features notable contributions from horn players Andy Ross and Dominic Glover, who've performed and recorded with Amy Winehouse and Incognito, songwriters Conner Reeves (Tina Turner, Joss Stone, Joe Cocker) and Christopher Braide (Sia, Lana Del Rey, Paloma Faith), and artist/producer Shawn Lee (Jeff Buckley, Kelis, Saint Etienne), who lent his genius to the album's mix. No matter where the needle drops on Golden Days, the brilliance of Mamas Gun shines through the grooves. Album opener "You Make My Life a Better Place" is the perfect gateway to the proceedings. "That track is a bit of a mission statement," Dave says. "It's warm and inviting. It has that recognizability of the lineage we're drawing on from classic R&B and soul music." The song sets the tone for an album packed with potential singles, each fashioned by a sonic imprint that's unique to Mamas Gun. “It was really important for us that this album was a consistent listening experience from start to finish," says Chris. Indeed, they create a smouldering soundscape on "Diamond in the Bell Jar" while "I Need a Win" and "On the Wire", the band's tuneful retort to the Brexit referendum, both have an instant appeal on par with their very best work.

The sizzling and stylish "London Girls" holds a special place for Andy. "I wanted to write a tune with 'London' in the title," says the singer, who penned the song with his wife Jodie Seymour. "For most of my career, I've been making American-influenced music and it's nice to do stuff that kind of points to where you're from and the fibre of your being, having something with 'London' in it without it being too tongue-in-cheek. I also wanted to write something very empowering about the strong metropolitan London women, from the street to the board room." Elsewhere, Golden Days glimmers with vivid musical settings, from the velvety grooves of "We" to the spectral ambience evoked by "The Spooks" to the trail of interludes that conclude with closing track "This is the Day". In between, "Strangers on a Street" deftly juxtaposes buoyant melodies with a bittersweet storyline. "I love that idea of talking about something maybe serious, sad, or loaded emotionally, but dressing it up in something that doesn't have too much depth," says Andy. "The music calls you in, then you unwrap it and realize there's something a bit more at the center of it."

A sense of joy and fun, coupled with exceptional musicianship, has always distinguished Mamas Gun from their contemporaries, even as they've grown and experimented with each new release. It's those qualities that catapulted their first two singles from Routes to Riches onto BBC Radio 2 playlists and helped them surpass Madonna as the #1 international act on Japan's airplay charts. The Life and Soul won more support from BBC Radio 2 and solidified their draw as headliners across Europe and Asia. Cheap Hotel powered the group's profile even higher, reaching the Top 20 on the UK's Independent Album Chart with a Top 10 Airplay single ("Red Cassette"). However, Golden Days is the ultimate reflection of the band's approach to songwriting and recording. "Everything seems to feel consolidated," says Andy. "I feel like Golden Days is a high watermark, in terms of the songs, in terms of the camaraderie in the band, in terms of the outlook. I firmly believe that this is the best in the golden period of Mamas Gun."