Soil Records retrieves the vinyl as a format with a third
reference that confirms the homogeneity and balance in this
series of releases. Soil revalidates its commitment to properly
structured plurality and grants this division of the catalog the
most dynamic temperament of the collection.
Autumns and Verset Zero persevere in the identity of this
project with a reference that mixes different registers until
achieving an indissoluble standardization. Both the Irish
producer and the French artist have in their works synchronic
qualities with the current argument that Soil Records exposes
on a particularly elitist electronic.
Autumns deals with the A side with a first long section cut (50
Plus Some Beers And Water, Let Me Know If That's Do-able),
theme in which the author takes as main resource a melodic
pattern that is installed in the intermediate range of frequencies
and that reinforces its presence with a similar model in the
lower area. But the development of the piece is not limited only
to this line of action, it is worth noting the arsenal of motives that
constantly bombard it and the successful organic treatment of
the drum. With Catch Yourself On, Autumns lowers tension while
continuing to connect it with the previous track and with the
consecutive one. More leisurely cadence and a significant
influence on EBM supported by the percussive elements and
filtered vowels very much in accord with this genre, but for the
dominant axis it prolongs the same system with an adjusted
depth of the kick and a basic, but authoritarian, arpeggiated one that employs again with Say Everything, Say Nothing. However, this third cut gives it ¬ a point more speed than the previous. Verset Zero handle the B side with two tracks oriented to a
more industrial environment. Expiatio is a truly elaborate
creation, a meticulous composition conceived without
predetermined structures that emerges celestially like a serene
landscape that is charged with aggressiveness and penetrating
shadows. Right in the middle of the passage it hatches into a
violent and boisterous environment where life itself seems to have no meaning anymore. With Silencium the French producer moves aggression and fear
into a more direct field in which the marked progression denotes
self-confidence, causing the listener a pleasant state to be
completely involved with evil, with malignant forces of which we are an important part.