First making noise in 2015 on Darwin’s Berlin label SPE:C with the ‘Begyndelsen’ EP, Decka makes sound that journeys through bare-bones techno and bass, crafting hypnotic polyrhythmic patterns that look both to the big room industrial sound of the German Capital and the sub-low pressure rooted in his home city, Bristol. Decka’s Unterwegs imprint that he runs with The Lady Machine translates to ‘on the move’ correlating with the labels vision to expand upon the idea that music is forever changing, evolving into new territories. ‘Elimination Techniques’ sees Decka invite Russian producer Philipp Gorbachev for a remix who is known for his flamboyant live sets and productions which can be found on labels such as Comeme and his own PG TUNE label.

‘Balancing Act’ begins proceedings with undulating toughness through beastly drums and shimmering bass growls before ‘Self Evasiveness’ offers up machine-like revolving synths and energizing grooves that continue to drive throughout the duration.

On the flip, ‘Elimination Techniques’ lays focus on wavering modulations underneath surging dynamism keeping this peak-time cut flowing until Phillip Gorbachev’s VDNH remix of ‘Elimination Techniques’ moves into industrial territories featuring raw, throbbing kicks and whirling bleeps orbiting around growling synthesis fiercely rounding off this effervescent EP.