The EP was composed during a fully immersed, three-month residency at a secretive studio in the centre of Toronto - a city nick-named 'The Six', hence the name of the EP. Stacked to the roof with rare, vintage Moog synthesizers and machines, one piece being custom-made by Robert Moog himself, LVCA had unlimited access to this unique studio that's the result of decades of accumulation by a private collector.

The opening track Teep takes us straight into that 2am, underground, dance-floor feeling where all heads are locked into a body-jacking 4:4 journey. Psychedelic bleeps and electronic schisms float above a seriously chunky baseline that's 130bpms of pure drive.

Dean's Groove is a bubbling cauldron of squelching bass and atmospheric moods that builds to a head bobbing, floor stomper laced with trippy effects; all triggered by LVCA who was conjuring heat to keep warm while physical temperatures outside the Canadian music studio reached -40 degrees.

Notherplan delivers a teasing build of acid bleeps, space echoes and bass notes that opens out into a psychedelic future-scape of raving on Mars. LVCA's joy at being let loose on synths, Roland machines and Synton Fenix boards is clear as layer upon layer of sounds weave in and out of this funky, robot-punk jam.

Heavy-Duty Sound is a glorious acid house call-and-response where different bleeps swirl and jive with synth tones aggregating into a near tribal trip that goes deep, deep into a Moog jungle where the flora and fauna is pulsing with electric energy.