label owner kastil comes up with the fourth 12” in the stale series. after imaginative releases by irazu, deapmash together with a string of underground cassette releases it’s finally time for the man in charge to step back up with a very versatile and well balanced outing called “the sadistic abbess”.

kastil and i-real once again join forces, with remix support coming from kwartz and orphx.

“veil of flames” is the second solo ep by label head kastil in 2017 after the successful “the sadistic abbess” earlier this year.
threading through the corn fields, wearing nothing but a cotton scarf, her body is like an abstract painting. he who beholds her with unpure sentiments, sees not what she is made of.
her fierce complexion radiates briefly before she speeds up her motions. out of breath she arrives at the altar of affection. she won’t sacrifice her decency for a chance to be with god.

stale releases st151, st163 and st153 all bundled up for one special price!

st173 is the first various artists effort on kastil’s stale imprint. the 3rd installment of 2017 showcases the most active artists from the stale stable (kastil & irazu).
kastil opens up the record with the noteworthy tones of “carucci” while madrid based irazu offers a wild adventure that’s constructed around his usual paranoidsynth work and frantic fx with “introversion”.
basel native ben kaczor is offering a piece of acidic techno on “sick acido” and desroi explores the dystopian side of electronic music with his “disprocess”.

after multiple cassette and 12” releases through kastil’s stale in 2016, it’s time for irazu’s latest addition to the series of complex techno works. “shtamm” is a package that contains four original cuts + a remix by specialist of high-end machine music regis. “refused to be found” is a soaring travel through moods and sonic landscapes which at times resonates like a helicopter flying through an inner city estate building. the aesthetic nature of the opening track is extended through “shtamm”. a multi dimensional piece of work that showcases a more submersive side of irazu s broad pallette. “last hours” is a cinematic stroke of vivid pads that sound like they were extracted from a remastered russian thriller classic. regis opens ups the b-side with a rework of “shtamm”. the off-beat machine funk of the remix leaves little of the original mix intact, yet regis has turned it into a staggering piece of ferocity. “torso” is another irazu original that sound like 7.5 minutes of vigorous rhythms and swerving perc elements.

madrid based artist irazu has a couple of tricks up his sleeve. apart from creating outlandish rhythms that are hard to pin down to one specific box in the spectrum of electronic music, irazu also proves to have a strong visual and intellectual identity.

french producer julien saillenfait (deapmash) is delivering broad shouldered textures and sequences with attitude for the sophomore stale output. from the jump, the picture that the french producer is painting shows really vivid. intrusing rhythms that pierce through ear canals and are nicely propped up by taints of distorting and peculiar vocal cuts.

in the ever continuing stream of soul notes releases. labelowner kastil is pleased to announce the new stale outfit. stale by soul notes will purvey jagged sounds throughout the more adventurous sides of techno.