great club-suited trippy bouncing technotracks by these resident djs of stockholms no. 1 underground club fukt!

warehouse find! its time for the next mainakustik stamp-series. after the successful first va series, we proudly present some new hot tracks.

ctf is like a ufo which landed in the middle of disney land, annihilating all the phony shit around it with lasers switched on kill. a totally unprecedented surprise of a vinyl date rape without a date or a warning. these two tracks are genre defining and genre defying. this is the real future perpetual funk - out of nowhere. just a big smelly chubby chunk of energy made right on your plate before your nose.

incl. sierra sam remix , quality techno

japanese dj ducts >hitman< taps into a psychedelic set of original sounds, deviants >caballo< laces us in swarms of latin percussion & dirty basslines. dj 3000 provides remixes that takes them into new realms. tracks taken from dj 3000 presents >broken research vol. 2< mix-cd.

the new label by kreon & lemos & tonny lasar incl. kreon remix ... a new label based in athens is born. first release is from greek producer named thodoris triantafillou who started the journey with a rather jazzy feeling on the a side. on the b2 side club mix takes it in a little bit more club friendly vibe. to conclude in b1 kreon gives us his special interpetation. enjoy.

after an exciting year full of memorable releases from martyn, thomas brinkmann, efdemin and jonas kopp amongst others, curle says goodbye to 2009 with a bang!

mentalic s follow-up to highway man contains 4 tracks ranging from freak out slapstick techno to more melodious pieces. played & supported by stephan bodzin, paco osuna, style of eye, lexy, marc depulse, max cooper, roland m. dill and many more.

holy robot! with a blaring bassline that suffocates the snickering vocal snippets and trickling clicky noises that sprinkle the sparse but strong arrangement, this one-sided powerhouse steers the trembling floorsters straight into oblivion. wickedness straight outta potsdam. with their third release, this new eastern german imprint takes minimal to maximum level

thee acid bitches is the name bruno gauthier (alias lady b) use when he works on projects influenced by the acid house years. this new one contains 3 differents mixes of a track called >connected<. we will always be all connected to acid house music.

partial arts finsbury (feat. ewan pearson) bedienen sich der ambienten atmosphäre des originals und kreiren elektronische hippiemusik für die digitale generation. ivan smagghe & tim paris gehen das ganze analoger an. da knarzt fröhlich der bass und die melodien schlingern unberechnbar durch den synapsendschungel

aus den boxen erklingt ein hyperbeweglicher house mit der wucht von techno, welcher aus dem eigenen ansatz heraus eine perspektive auf das zu entwickeln vermag, was einst an clubmusik so faszinierte und heute immer noch fasziniert

we like to introduce the first impact by tickles on ipoly. with >freirausch< he delivers a real mad-goer. marching machine sound for nothing but the peaktime. its followed by some very unique remixes by the ipoly heads. alec troniq transformed >neuralverschiebung< into a crazy and overdriven jumpin tune. the mentalic remix of >fallout< is a dark, straight ear-cleaning technomonster. enjoy while you can!

das dreamteam eyerer & babicz sorgt mit lockeren grooves, funkigen bläsern und eingängigen bleeps für ein ziemlich kurzweiliges vergnügen. umseitig besticht der remix von glimpse mit intensiven drumming & einer housigen note

two heavy floor-smashers from dirty electro-house-flavour to subtle and bass-driven minimal-sound with great feedback and support by tiefschwarz, david keno, mathew jonson, pelle buys, xenia beliayeva, james talk, perc, claudio ponticelli + many more!

crystal is a live band from tokyo also known as sunao maruyama altogether influence by yoko ono, depeche mode, human league, cristina or art of noise, and you can surely tell listening to their productions. here they grant us with a 5 tracks ep on french famous institubes inprint filled with fm synths, machine drums from the past, and analog tools...

ultraphat freakin electro a la french s kitsune or institubes

kleinschmager audio, das tooltechno-projekt von joern kleinschmager und niklas worgt, präsentiert den zweiten teil seiner 2007 gestarteten >audio<-serie. die 2-tracker kommt mit dem stringenteren track >audio2< daher, der sicher peaktime charakter hat. zwei feine dj-tools - mehr muss man hier mit worten auch nicht erklären

willkommen zu alliens welt des minimalismus. >sool<, das vierte album von ellen, kommt ziemlich mystisch und düster daher.

for the final of the simple sounds ep, we bring in the disco courtesy of two of wills favourite fellow artists. putsch 79 take wills album cut >speak & spell< deeper and darker but maintain wills original chord progression. the undulating dark disco mix slowly evolves into a fabulous euphoric crescendo that’s already proving to be irresistible to our feet. on the flip, northern lads 2020 soundsystem, led by ralph lawson and dubble d, re-interpret wills underground classic pause in their signature live style.

paulussen & cali rocken sich hier einen ab, als würde es kein morgen geben. ein gefundenes fressen für subbassforscher & housejäger. sehr phonky!

auch teil 2 der album begleitenden vinyl eskorte kommt mit den tracks >$26<, >spukhafte fernwirkung< & >alright< gewohnt diskoid & funky auf den teller. besonders >$26< geht dabei durch mark & bein und dürfte in jedem tanz-etablissement zünden

stefanik ist ein alpha- männchen in seiner spezies, ausgestattet mit jeder menge neugier bewies er bereits in der vergangenheit (bitte discogs wälzen), dass sein antreibender bass mit diamantener strahlkraft von den wänden zurück zu prallen scheint. auch hier funkt und treibt es dynamiken empor die wolken am himmel tanzen lassen

freakin experimental / ambient like

surgeon like techno three tracker by dj slip

6 mal heavy elctro stuff und kult bunker !!

further support comes from dave sven väthat time warp 2008,clarke, efdemin, fabrice lig, chris fortier, josh wink, benno blome, mark august, dub kult and many more.. two incredibly strong techno tracks from two established names in the scene.

finest electrofied techhouse mover by marcus lange and daniel dexter, rec de weirl, audiophile

a first collection of on this new us label that is dedicated to bring contemporary edge by up-and-coming producers from chicago: garo, lokua, slava. and thats what they do here. a sweet collection of 7 solid tracks. given the locale, there is an undeniable house presence. its spirit spreads far and wide and permeates a great variety of styles of both slower and faster tempos. this album is as much for the club as it is for the tranquil home-listening environment, the deep synthesizer textures, ever-changing rhythms and rich melodic content will speak to you independent of setting. limited and well produced release! check!

great deep journey into space !!!

gobble gobble is a majestic and pulsating force drawing as much from the visceral and poetic indie rock of pixies as the electronic production of dan deacon or crystal castles, while remaining entirely unclassifiable. these canadians have created a grass-roots movement with their mobile rave infinitour 2010 which lasted from june to november and saw them playing suburban gardens, private homes, small indie venues, as well as pop montreal and cmj. hundreds of blog posts by the likes of stereogum and nme, a series of amazing singles, an appearance on debontons 2nd compilation, and a nomination by pitchfork as best new hope of 2011 have secured their position as poster children for the brave new pop scene. with boring horror they give their listeners not just the single by the same name, but also a b-side (eat sun, son) and two other original bonus tracks (seizure to the metronome, as well as two remixes commissioned by debonton to spice up the package. generous, emotional, exciting, and completely avant-garde, gobble gobble is a hurricane of freshness for the audience and the listener. limited edition of 500 units worldwide.

masami akita and lasse marhaug have been working together since the mid 90ies. the first release on marhaugs (now deleted) label jazzassin records in 1995 was the >first rock< split single. in 2001 merzbow and jazzkammer (marhaugs project with john hegre) released a live album. later, akita and marhaug executed several live collaborations, but often with other artists such as hair stylistics and jim o rourke. in 2010 they finally got together to record as duo. recorded at gok sound studios in tokyo the results can now be heard as >mer mar<.
made using a combination of scrap metal screeching, analogue synths, and enough effect pedals to give you overweight with most airline companies, >mer mar< is a tour de force for both of these noise veterans, hinting to some classic 80s merzbow jams such as material action.

omega male could conceivably be described as a supergroup, a transatlantic duo featuring david best of brighton minimalist kraut-funk outfit fujiya & miyagi and sammy rubin of brooklyns digital rock band project jenny, project jan. the combination is an inspired one – laptop sex music played by two white dudes.

progressive and mental acid tribe, deep and pumpin, travelling between 170 andd 180 bpm. limited 200 copies. sizzling acid melodies turning higher and higher while an ambient dark melody comes slowly on the front... serious sound.

das britische label ninja tune begrüßt mit technicolour ihr neuestes imprint. den auftakt macht raisa k, keyboarderin der formation micachu and the shapes. gemeinsam mit ihrem bandkollegen mica levi fertigte sie unter dem pseudonym m.a.t.h.e.s bereits remixe für u.a. the streets, metronomy oder the invisible an. nachdem raisa k bereits 2011 mit der red bull music academy in madrid unterwegs war, entschloss sie sich auch eigene tracks zu produzieren. musikalisch bewegen sich die sechs stücke der feeder ep irgendwo zwischen electronic und post-dubstep

als doldrums wird das unter seemaennern gefuerchtete gebiet rund um den aequator bezeichnet, in dem kaum ein wind weht, in dem es schwül ist und in dem unvermittelt gewaltige unwetter ausbrechen koennen.

heterotic are a group formed from husband and wife production team mike paradinas and lara rix-martin. mike is the boss and founder of planet mu, and a celebrated producer in his own right as µ-ziq.
their debut release is a composite of four striking instrumental tracks and four unique collaborations with gravenhurst, the musical pen-name of nick talbot who is known for his dark, folk tinged singer songwriting for warp records. they were brought together by a mutual friend who sensed potential in the pairing.
includes digital download code.

limited edition of 500 copies in gatefold sleeve ¹ 24 x 12 inch professionally printed poster ¹ white vinyl - download card.
kenneth anger may not necessarily be the name that will come to mind when listening for the first time - distracted, confused, disoriented - to puce moments debut album. yet it is the only one that will seem relevant upon second listen -narcotic, infernal, fascinating. puce moment does not only borrow a title (of his eighth short film, made in 1949) from the baron noir of experi?mental cinema . ghostly wanderings, satanic masses, mystical romances, mechanical hell: eve?rything in the duo from lille (france) and their album in form of an invocation to ancient sybarites authorities refers to the californian filmmakers obsessions.

the debut album by redredred, a contemporary artist from san francisco. michael wood, formerly of duo primary colors, began this project in 2012, taking inspiration from front 242, einsturzende neubauten, throbbing gristle, nietzsche and sartre. wood utilizes a simple setup of vintage analog synthesizers and drum machines, and records them on reel-to-reel

the second release of rotterdam-based electronic emergencies is a 3-track 12- by the mysterious project sos of unknown origin. title track wallonie is a dark and melodic electrotech monster, while aqua is a broody and even darker affair. on the b side, wallonie is remixed by moustache records david vunk and electronic emergencies own spacemaker in early rotterdam techno style.

a decidely concrete und highly personal interpretation of the genre. limited to 500 units.

remixes by kenton slash demon, pom pom, dustin wong and lucky dragons for tracks from the stellar debut by highly acclaimed newcomers jatoma.

>i keep asking myself where they take all that brilliant music from. its just as if somebody had poked a bees nest and then it all burst out. i feel deeply connected to the pampa style…< (terry hogann, the musical mistress, 10/2010). as was to be expected, pampa is steadily developing into a platform for cross-border electronic dance music. each pampa release sounds different from the previous and still pampa remains a conclusive musical planet. this is all the more surprising in the case of pampa005, which features two completely different artists: side a: nathan fake - xmas rush having reportedly recorded his track >xmas rush< in his london studio during a jam session, nathan fake (border community, traum, saw) has turned in a total brainfuck. its mercylessly exaggerated, psychedelic, inexorable, and at the same time sweet and heart-warming. a very rare mixture. unique in its consistency, we havent heard anything like it since the 90s. its so nice and overwhelming to have your ears exercised the right way again. evergreen… side aa: dj koze pays tribute to michael smith - >mi cyaan believe it< in the meantime, dj koze has moved on to completely different spheres. once again, he astonishes his public with an extremely danceable version of michael smiths >mi cyaan believe it<. having originally started off as a digital error, and recorded within a single night, this tune recalls the ruthlessness, rawness and revolutionary energy of public enemy

1 track continues with delivering some serious house music! after three releases we know their goal... epic house tracks rooted in the best tradition of chicago and early nineties productions. 1 track in three versions, main, mix and reprise. this 4th release in the series might very well be the biggest so far with a upbeat track that is build on a romantic classic groove and with a precise arrangement. slowly building and creating tension is what john daly can do like no other. this is a precision bomb with a devastating effect when an expert pilot drops it at the right moment

his release on jeff mills axis sublabel 6277 was the first in a series of amazing records, which made johannes volk become a very well known and highly acclaimed producer, liveact and dj. his initial appearance on heliocentric music features a stunning dancefloor bomb, which will spark large-scale-fires in clubs around the world.
the second track on this record comes from label-owner myon, who again delivers an epic journey through the periodic table of techno. for those, who listen closer!

new label by pierre (home, stammheim, hoerspielmusik) big with reboot, richie hawtin, ekkohaus, pierre, slam, karotte, daniel sanchez!

a true classic from 1974 as 2009 remastered repress! including 12 inch booklet and picture inner sleeve.

here comes the second release on the pattern repeat label. pattern repeat is a new music-project and label by kenneth christiansen, echocord & echocord colour label boss, and his partner dennis bøg aka resoe, running the baum label.the pattern repeat label will only contains productions from kenneth & dennis, and the music is focused on the modern berlin techno sound today, dubstep and dub-techno. pattern repeat will also release records on other labels, so far the first one is out on echocord colour. kenneth and dennis met eachother 8 years ago when they worked together in at that time famous copenhagen-record-shop >loud<, which closed 5 years ago. at that time dennis was more into broken beat, hip-hop and deep house. kenneth was already running the label echocord, and soon dennis started his label baum. the label baum is also like echocord, releasing dub-techno, and dennis started to release his own material as resoe, and builded up his studio the years after. 1 year ago we decided to try to do a new project together, working together in the studio, and now pattern repeat is born.

first release of john dalys new label called one track. each release dedictated to one track which will be presented in several versions. these are tracks that john loves playing in his own sets and he is so friendly to share these tracks with us. meltdown is a crispy hypnotic tracks that has that lovely mood that mr.daly always creates in his tracks... he combines this with an irresistible updated larry heard groove. fierce classic chi-town drum patterns performed in a crispy modern way. the b-side gives 3 other versions and takes of the track which make it an perfect dj tool. john daly quality!

classic!! 2009 remastered pressing!! incl big booklet

tony nwachukwu is a pioneer and his musical roots go way back. he was the mastermind behind attica blues on the legendary mo wax label and has produced wonderful music which is still timeless. remixes for people like unkle, macy gray and even duran duran prove how incredible he is. at the red bull music academy he teaches his skills to young talented producers and has established an interesting night at londons plastic people called cdr where they only play unreleased music. cdr has also worldwide events. with burnt progress he gives young producers the chance to release their music on his label. his first ep for drumpoet is championing his big love for techno(logy) and equipment in general and underlines the great musical knowledge and open-mindedness of this forgotten legend he is! the ep has already huge support from some of the best djs around and the quality of all three tracks whether it is the detroit-ish t time too the twisted outta ere or the broken flowin is impossible to ignore!

support by: jimpster, steve bug, anthony collins, c-rock, hell, m.a.n.d.y., james flavour, martin eyerer, mijk van dijk, danny tenaglia, chloé, sian, makossa, ante perry, twotracker, p.toile, franksen, maik loewen, jussi-pekka, mark henning and many more

fresh from his highly acclaimed debut album doubts & shouts, anthony collins delivers his brilliant second ep for curle! will certainly appeal to the fans of anthonys releases on curle, cecille, vakant and bangbang!

er hat es wieder getan... seiner eigenen tradition treu bleibend, dem synthetischen ende von disco ein modernes denkmal nach dem anderen zu setzen, schafft auch “don t go” diesen spagat zwischen vergangenheit und zukunft, zwischen glückseeligkeit und gnadenloser abstraktion. “don t go” ist ein klassischer köhncke hit, inklusive infektiösem hook, einer halsbrecherischen und doch mitreissenden bassline und irren Überraschungsmomenten, dieangenehm an der hirnrinde kratzen.... ein herrlicher wahnsinn. auf der b-seite erwartet uns ex-closer musiker dirk leyers mit einem tief pumpenden remix von “(it s gonna be) alright”, einem unserer lieblingstracks desletztjährigen albums “safe and sound”. leyers katapultiert das légère original mitten auf den mainfloor, ohne dabei auch nur einen funken deepness aufzugeben. alle reden über house. wir tanzen lieber dazu.

incl remixes by depth charge and mickey moonlight

irgendwo zwischen abstract disco, minimalhouse und afterhour-techno versprüht der tim paris sound einen duft von unparfümierten aber wohlriechenden körpern und gibt dir das gefühl auf der richtigen party zu sein. vor allem >zimmer< mit seinem lapidaren männerchorhook lässt zu jeder tages- und nachtzeit die sonne aufgehen. achtung, hier kommt kumpelhouse

faster driven siren infected darker minimal techno hot new split sound

after much consideration, rong music and dfa have compiled a (somewhat) new take on the early- 80s new york city no wave sound.

joel mull, another representative of the swedish techno community, releases his current vision of what is to happen on the dancefloors. it is different from what his fans know from the early days. with his debut single on cocoon >harmonautic string<, joel mull sends us to a journey through the track which is smoothly airy-fairy and thus perfect to dive into the land of dreams after a wild party night. even when speeding up after a short break with the drums dominating – the track remains harmonic and is designed to dance into the sun in the early morning hours. the b-side appears spacy and melancholic, but again, mull is able to layer his music so deep and brillant that the basic mood is still vicious with the track still coming along in a magical and elegant way. >blossom< is exactly the right thing for a cold winter night and reminds of the b-side of beyers cocoon release

kanzleramt welcomes mike gates from the usa. mikes >die trying< is an unusual techno-mix at 115bpm, it has hiphop oriented sounds used as rave-signal with a hint of an 80 s charm. mke gates has been producing music since 1995, he works together with various hip-hop and techno artists and had a few releases on labels like dj slips creation rebel

uk retro flavoured electro

mathias schaffhaeusers excursions into whiteness, where any edge is protected by a fluff of white noise. sparkling!

trotz grossem house anteil sind die mugwump tracks der >meditation ep< jeweils ein kleines subgenre für sich, aber ehe wir jetzt anfangen mal wieder neue schubladen zu erfinden, holen wir uns lieber einen drink und gehen tanzen. denn so groovige beats werden nicht alle tage ins vinyl geritzt

better known as one of londons top cult clothing designers, passarella death squads music is a diverse combination of contemporary electronica and haunting beautiful songs - incl perc and issakidis remix. ltd dj promo

the alfur ep is the second in the trilogy of records written by individual members of the old apparatus collective, which will be released in three month-by-month instalments.
alfur, produced by a. levitas, offers a view of the rusted old apparatus universe from another angle, a suite of songs that weave together deep feeling and influence into a complex and very listenable ep, built for deep listening at loud volumes. alfur is a mystical, deeply atmospheric five track set, recalling the spooked ambience of third eye foundation and earlier tricky material, with gauzy layers filtered through electronica and hip hop’s modern digital mechanics.

for the first solo ep on horror boogie, fedka the irritant steps up, after his outstanding track on horror boogie 01. fedka the irritant is probably best known as the trombonist in the excellent band pest (ninja tune), alongside ben pest (panic bridge, victim, bonus round). he is also a seriously original and versatile producer in his own right. he has released on panic bridge, alongside the other pest members and his trombone techno live sets are something to behold. here, he drops four varied tracks, starting with the behemoth >words for friends<. a heavy slice of wonky techno, with a big kick and rasping synth. next up is one uncertain eyebrow. a building, funky, fuzzy acid-laced track that drops harder and harder as it goes on. on side b, calypso-flavoured, jazzed up >stick it< progresses on to a become a warbling bass effort with a smooth hip-hop vocal. last but not least, is >you only die once<, another funk-laden monster, with a killer slap bass line.

with his second release for planet mu this year, >dream on< is more of a full-length outing for ital aka daniel martin-mccormick and a much more substantial record than the popular and critically acclaimed >hive mind<.
on >dream on< ital takes his experimentation with house and techno forms even further, creating impressionistic deconstructions from the tropes of early house and techno. sunny chords, laid back drum shuffle and rhythmic vocal loops are picked apart and threaded with a rich psychodrama of delirious textures, tidal chords and uneasy roughness and dissonance.
vinyl format ships with digital download code.

editions mego is happy to announce a vinyl reissue of the long out-of-print and impossibly rare final harry pussy album, the monumental >lets build a pussy<. originally released in 1998 after the band broke up, this has always been an elusive release.

berlin based martsman steps up for the latest techno release on pushing red. shrank and nycd both weigh in at less than 130 bpm despite bucket loads of shuffle. youd be forgiven for describing these sounds as garagey. shrank has some uplifting progression and plenty of hi-hats and nycd backs it all up nicely with some dub influenced tripped out sounds. another top release from pushing red. their third this year in fact.

in zeitgeber is a project that sees lucy and speedy j exploring roots and limits. the duo have both indulged their experimental sides from time to time.

stallone the reducer s debut release on est. 83 records, a division of the fit sound label. stallone has been kickin

markus wormstorm, the one man phenomenon, is back with his new album. in it wormstorm experiments with down tempo pulses, bernard herrmann style compositions , african click singing, anime &#769,,,sampling and xhosa rapping. unlike his previous albums, wormstorm presents a whole new style called african electronic , which combines his passion for the cultural effects of south africa along with his expertise in electronic music and classical composing. figure in field consists from a various amount of collaborations, keeping you captivated and fascinated leading into his fantasyworld and - at the same time - into the reality of modern south-africa.

heard on “melancholia” are interpretations of honzo’s subconscious visions of life. the intense compositions are made up of drones, noises and distorted beats moving in and out of the frame. on opener “orientalism” said elements blend with hi-hat brushes, brassy synth pads, sci-fi noises and distant human voices evoking islam’s “adhan” (call to prayer). the theme contemplates over alienation caused by western accounts of “orientalism”, soaked in “hüzün” (the turkish term for melancholia). on a2 a rework of “moral masochism” is provided by the mysterious shadows outfit, starting with a distorted guitar over a slow and gritty rhythmic backbone which gradually turns into a chaotic high-intensity acid jam on the ep’s most dance floor suitable cut. on the flipside, “lovesickness” presents a broken kick rhythm periodically flipped by toms and accompanied by a disorienting hi-hat rhythm, ghostly strings and sporadic human moans – all resulting in a tribal mood, recalling a ceremony, perhaps a quest for a saviour from the blue temper? b2 presents the “moral masochism” original. again a distorted guitar plays over a slow rhythm, but compared to the remix, the original’s intensity is introverted, contemplating over melancholia’s effect of deriving gratification from self-inflicted moral humiliation. ambient closer “emptiness” explores a cold state with such an encapsulating airiness that it feels like a close account of another person’s mood down to the impression of their breath. arpeggiated synth noises appear from a distance representing increasing pressure from the outside world without ever suppressing the state of mind. as a result, “emptiness” sums up the state of melancholia experienced as a mood rather than the effect of a cause.

zaquoir alias matthias groß is a producer and musician currently living in leipzig. after sending us more than 10 gigabites of great music, we sat down together and tied a selection of his really eclectic styles of production together into one lp, creating some sort of showreel created in the timespan of over 15 years. zaquoir himself sees the record as a reminiscent mood of a donkey in the sardinian sun and describes the record as a trip in itself, allowing the listener to traverse the lines of various acoustic landscapes. the tracks on the lp where produced in six different places, including a historic house in the centre of vilnius, the artist residency blumen in leipzig, a french-german art association and a village in northern bavaria.

the first time ever on vinyl: the original soundtrack of zbigniew preisner /kieslowski / 3 clolours / trois coulours / 3 farben: red / rouge / rot 1lp+cd

seit der begründung zur jahrtausendwende war pop ambient immer eine herzensangelegenheit: sorgfältig kuratiert von wolfgang voigt, zeigten diese veröffentlichungen nie ein sonderliches interesse am tagesgeschmack. eher genredefinierend als trendsetzend, folgten sie ihrem eigenen weg und etablierten eine einzigartige Ästhetik irgendwo zwischen experimentellen field recordings, no-age musik und geschmeidigem synthie-pop - wir nennen es auch gerne fahrstuhlmusik für vertikalverweigerer.

unified by dubs loose sense of space and deep sub-frequencies, chllngrs unique amalgam of soul, pop, stripped-down beats, and decaying atmospheres has earned the copenhagen-based artist, steven jess borth ii, adulation from press and peers alike.

magische atmosphäre: wiederveröffentlichung des 96er-albums der drei elektronikpioniere auf hochwertigem 180 gramm vinyl.

incl remixes by duke slammer, hey o hansen, peter presto, rss disco and tilman tausendfreund

on the second chapter of the kooaad muzik saga, obscure composer filippo diana shakes hand with cronenberg, carpenter and detroit s finest electro pioneers and delivers a masterful soundtrack to the never released sci-fi movie nemesi.

the 7th studio album by the chemical brothers on proper double vinyl!

double 12 inch release of this 1995 must-have album by the chemical brothers.

classic reissue! limited deluxe heavy vinyl edition.

classic reissue 2016 depeche mode album from 1986.

padre himalaya second release counts with 5 tracks from the portuguese artist silvestre. this ep describes how sports help silvestres life. he likes to run and he produced a few tracks where he goes back in time when he was doing bodyboard while living in portugal.

warp präsentiert die ersten drei autechre lp-klassiker incunabula(1993), amber (1994) und tri repetae (1995), die seit 2001 nicht mehr erhältlich waren. das britische duo hatte mit seinem polyrhythmischen, abstrakten, dissonanten stil einen maßgeblichen einfluss auf das 1990 er electronica genre. die ersten ae werke reichen von post-acid-house-electronica über zerstreute-hypnotische ambient klanglandschaften bis zum b-boy-flavour ihrer mitt-90 er-exkursionen in jungle, industrial und hip hop-gefilde.

killer electro/wave tracks by black pond. black pond is a collaboration of underground star beta evers and jeff galea from the legendary eleven pond. known for her solo work as well as various collaborative projects, beta evers can be considered the godmother of german electro wave. her beats are strict while her voice is cool and deep. jeff galea, who founded eleven pond in the mid-80s, is the master of energizing bass lines and emotional synth melodies. deepest chasms reflects their shared darkness in four melodic and atmospheric synthwave tracks that won t let go of you.

handstamped limited to 300 copies... here comes a full of surprises ep. containing tivoli feelings, acid trance, beautifulness & genuality. funny & serious at the same time. check this out!

dark entries returns to the new jersey basement studio of smersh to unearth a 4-track selection from the

one sided limited charity edition

black truffle is thrilled to announce reverse tree, the new lp from the acclaimed duo of eyvind kang and jessika kenney, two musicians who have established themselves as powerful voices working at a unique intersection of contemporary composition, improvisation, and asian traditional music forms. either individually or as a pair, they have worked in contexts ranging from performances of traditional persian and javanese music to collaborations with sunn o), but their work together as a duo (documented on the face of the earth and aestuarium, both released on ideological organ/editions mego) most clearly represents the central concerns of their diverse practices: a music of the inner life of sound, demanding ritualistic focus and promising heightened sensations.

12 inch with black jacket. this music is inspired by the story and the interviews with betty hill.

after an ep on creme organization off-shoot jericho one as dj plant texture, dona basile now assumes his dona alias for a new ep on the main label. entitled the v.g.p sessions, it features four new cuts from the italian, with three of them being dj pt mixes. up first is a live cut version of energia , a bristling electro track with globular bass and coarse hits. turbulent but full of synth based serenity, it is a fine start. cigarettes (djpt mix) is rugged and broken, with glossy idm synths and corrugated drums all loosely arranged into something prickly and unsettling. the deads at twelve (djpt mix) then gets even more fucked up, with rusty synths and blown out drums making for a dystopian house groove that will likely soundtrack the apocalypse. last but not least, nr. 13 (djpt mix) mixes up detroit synths, wild acid, heavenly chords and chopped up, buried deep vocal samples into something that will fire every synapse in your body. this is outlier stuff from dona that sounds like little else.